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FT Top 100 Films 95: SOME LIKE IT HOT
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Oddly, as I went to start this piece “Some Like It Hot” by the Power Station came on my mp3 player. Not really much of a commentary on the film, it did isolate one of the most bizarre things about the film. Its title. No-one likes it hot […]

Summer Of Smut II
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Summer Of Smut II: This week’s best Marketing story involves Trojan’s new condom ad. The 20-second ad, which will go out in a Big Brother break, is apparently the ‘first ever’ to show an orgasm on UK TV. Can this really be tru[…]

The Onion AV Club runs through some
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The Onion AV Club runs through some scenes which were rightly deleted from films which hopefully DVD has saved us from official inclusion as some form of directors cut. This subject came up the other day after an experiment between watching Terminato[…]

Why are you running down that corridor aimlessly.
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Why are you running down that corridor aimlessly.
Because we want to, because we want to.[…]

FT Top 100 Films 96: THE GODFATHER PART II
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Lookee here Sight’n’Sound. The Godfather is a different film to The Godfather Part II. As such you cannot just roll them into one film to make up for the fact nothing as recent got any votes at all and to sneak something new into your top[…]

The most disasterous disaster film…Deep Impact.
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The most disasterous disaster film…Deep Impact. As a follow on from Mark’s note about missing Armageddon (how does he fashion these nuggets!) he unfairly lumps Deep Impact in with a whole load of 96-98 disaster epics. On the surface it fi[…]

NOISE = PROPHECY
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“NOISE = PROPHECY” except Hollywood Style
Even though Armageddon has the longest sustained purely abstract-expressionist avant-garde sequence ever edited into the heart of a mainstream blockbuster, I didn’t catch much of it last ni[…]

FT Top 100 Films 97: BRINGING UP BABY
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I adore screwball comedies. Light airy flights of fantasy where the internal logic of the film slowly creeps outside of the expectations of reality. A good screwball comedy should be a perfect one line pitch. “A scientist, and heiress and a leo[…]

When artistic choices go wrong.
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When artistic choices go wrong. Emile, an attempt at a Proustian remembrance of a Canada past from the view of an exiled academic, is not unusually in using a wistful look to signal a flashback to echo memory. Ian McKellan as Emile, can be set off by[…]

FT Top 100 Films 98: RAIDERS OF THE LOST ARK
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You will notice that due to the methodology of the list, you will often get pairs or even runs of associated movies. This may well be due to half of the assorted drunk contributors not actually seeing many films. And good for them, there are much bet[…]

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