I’ve been refining the criteria for the perfect work soundtrack over the past few years of work from home as standard and have narrowed the requirements accordingly. Anything with lyrics is too prone to distraction, and while binaural beats are oka[…]

I bought the Omar Rodríguez-López & John Frusciante CD upon its re-release in 2012 through his partnership with the Sargent House label, eagerly anticipating a thick-cut shredfest capable of clearing the earwax of everyone within a 2-kilometre […]

By now, it should be abundantly clear that owing to my total lack of even the most rudimentary understanding of music theory or technique, Omargeddon reviews are emotionally driven. As such, I’m forever trailed by a weird sense of, if not outright […]

Omar Rodríguez-López is famously prolific, so I knew at some point during this project that my to-review list would increase; my only surprise was that it wasn’t sooner. The Clouds Hill Tapes Parts I, II & III were released during Summer Lock[…]

Every review I write is a quivering pile of jelly, andwith every ill-informed take, I sling another batch on an ooze mountainwhich is certain to eventually collapse, trapping me in its slimy prison,deafening in a crashing cacophony of colour.I can&#8[…]

I am making a concerted effort to both seek and recognise joy, in whatever form it takes, as often as possible. As such, I am recognising the shit out of the sheer unmitigated joy experienced at the Mars Volta’s Troxy show and the ripples of yay th[…]

I waited ten years for a new Mars Volta record, and when it finally arrived, I began anticipating a follow-up ORL solo release. But wait – there’s more Volta! Que Dios Te Maldiga Mi Corazón is a total reworking of the self-titled album as ac[…]

It’s relatively safe to say that neither Spotify nor TicketMaster cover themselves with glory in their treatment of musicians or their fans, but I can honestly say I’ve been legit grateful for the both of them since the weekly events email from t[…]

Before the pandemic normalised my working week with most days spent WFH as standard, I’d often stream Spotify through the TV. I’m not entirely sure how I managed this trick, since the last time I tried, the TV wasn’t having any of it (or perhap[…]

Equinox dropped around an emotionally fraught and very weird time; it was released on 01 January 2013, and Cedric officially quit The Mars Volta via Twitter twenty-two days later. As a result, it completely passed me by, although many things did at t[…]