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Boom Selection
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Boom Selection covers the Sugababes’ hit single from the bootleg perspective – excellently put together, intelligent, and it’s got mp3s of every relevant track – FT’s piece is put entirely to shame. Go, read, and downloa[…]

Pop-Eye Special
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Pop-Eye Special: so huge was this week’s Pop-Eye (a paean to the Sugababes’ awesome “Freak Like Me” single) that it turned into an article in its own right, and joins Sterling’s excellent Tweet review in a new site updat[…]

The Acceptable Face of Rockism
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The Acceptable Face of Rockism: if you spend the odd bored hour at work scanning the Top 5 lists at rockcritics.com, you might recognise the name Nate Patrin and his unusually literate contributions. Anyway this is his weblog.[…]

If I can distract you from the current posting spat going on
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If I can distract you from the current posting spat going on – I have sad news. Apparently according to Tim Hopkins “The Ring” is no more. Now it would not surprise us if the Ring – a gem of Southwark – was being spruce[…]

NAPALM DEATH
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NAPALM DEATH
If you ask anyone it the music business about Napalm Death you will invariably get just the one response. “Lovely chaps” – they will say, almost as if they were the Kray Twins. You would expect them to then extoll upon […]

Shut it
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Shut it you cockfarmer.[…]

Hey!
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Hey! Has anyone seen this yet?[…]

FREAK LIKE WE
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Pop-Eye, 28th April 2002
Truly dreadful No.1 hits are rarer than you’d think – leaving out charity singles and Westlife’s perennially useless stool-pop, I can’t think of a really ghastly, what-has-gone-wrong-with-our-species t[…]

102 Beats That
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102 Beats That: the last twelve pieces, wrapping up the first leg of this feature. Enjoy them, and come back in June for the second stage. (Oh yeah, also link this feature you bastards! I think it’s good and deserves a wider audience.)[…]

CRAZY, SEXY, COOL
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CRAZY, SEXY, COOL
1. In Finland, two songs followed us up and down the country — Simply Red’s ‘Fairground’ and TLC’s ‘Waterfalls’. I didn’t listen to much soul music then but the contrast was obvious &#[…]

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