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why I love live albums
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There are of course all kinds of differences between live albums and studio ones. Within rock and some other genres, notions of a primacy attached to the live experience exist, ideas of greater authenticity, that it’s where a band really show t[…]

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In Space: No-One Can Hear You Screen
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There are some lovely spaces in London institutions. The Turbine Hall in the Tate Modern has rarely been filled, but feels majestic in its own right – almost as if to cleanse your art palate before hitting the galleries. Big opening halls in cl[…]

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Even Superheroes Have To Pay Tax
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Or do they. A nicely entertaining discussion of Superman #149 where Superman gets hit up for $1,000,000,000 of unpaid tax. Which in the fifties was a lot of money. This seems a surprisingly round number, but like many Superman stories of the age the […]

The Man Who Couldn’t Draw Humans
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Here’s my third Poptimist column for Pitchfork. It’s about pop, but mostly about 2000AD and the concept of thrill-power.
The notorious “giant scorpions” cover which I cite in the piece was drawn by Massimo Belardinelli, who I […]

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Focus Group 11 – GOOD CHARLOTTE
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GOOD CHARLOTTE – “Keep Your Hands Off My Girl” – Score: 4.18 (12th) – Controversy: 2.83 (8th)
(Females: 12th. Males: 12th. Under 30s: 11th. Over 30s: 13th.)
Most like: MIA. Most unlike: JoJo. (But not significantly like […]

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The Art Of Idiocracy (no coffee table book shocker)
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Idiocracy is Mike Judge’s follow up to the under-marketed and thus cult DVD hit Office Space. In many ways Idiocracy shares Office Space’s occasional flashes of brilliance padded around a dullish romantic central point, and is never quite[…]

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the heliofugal worlds of MAC RA
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the who ep on sat (“gridlock”) has divided the fans sharply (er WARNING — portals to LJ): — i really really genuinely enjoyed it start-to-finish and was initially totally surprised that anyone else didn’t: except on refl[…]

Waters-ing Hole
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Going drinking in Shoreditch is rarely a straightforward process. Our original chosen pub being closed for a family funeral, we found ourselves in The Barley Mow, a small and noisy boozer which initially seemed to offer a common-sensical safe option.[…]

the knitler diaries pt 2
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I have recently been informed that a sallow faced group of youths have fallen into what can only be called The Cult of Knitler. Seeking a method to pluck the fevered dream of N4zi knitting techniques from the ethereal to the corporeal, they face the […]

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Focus Group 11 – KAISER CHIEFS
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KAISER CHIEFS – “Ruby” – Score: 4.10 (13th) – Controversy: 2.56 (15th)
(Females: 6th. Males: 18th. Under 30s: 15th. Over 30s: 9th)
Most like: Take That. Most unlike: MIA. (more…)[…]

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Latest comments on FT

  1. Great write up it really captures how Reichardt turns small intimate character studies into something emotionally huge even within a…

  2. proposed: people suggest that Judge Dredd is a satire of modern police/surveillance-states. But I think that's the commentary, not the…

  3. They are all DJ Fuckheads. No brain, no style, not a single clue of what good music is. It's about…

  4. Yes, he’d been “…making this since FOUR—TEEN YEARS OF AGE”. As if this culmination of exquisite ingredients could ever let…