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102 Beats That
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102 Beats That – a reminder! The deadline for this is Saturday 16th March, in other words in one week’s time. We’ve had about ten entries so far, and I’d like a lot more (that’s about a tenth of the number promised, for […]

Old Gold Dreams
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Old Gold Dreams: a Friday Freaky Trigger update, since I’m having a quiet night in! Here we have a review of Steps’ greatest hits by me, and here the AMG’s Andy Kellman contributes to our C90 Go! feature, writing up a vaguely-themat[…]

Osymyso
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Osymyso – pop troublemaker behind “Intro-Inspection” – has his own website, with lots of hidden MP3s and audio-snippets. He was playing at last night’s King Of The Boots, though I didn’t stick aound for his set. No[…]

WOODY GUTHRIE – This Land Is Your Land
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WOODY GUTHRIE – This Land Is Your Land
Teaching children to sing folk songs might be about as rewarding as assigning them book reports on The Abridged Moby Dick. (Kudos goes out to the Langley Schools Music Project one more time, for bucking t[…]

Why is it that Outkast records
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Why is it that Outkast records sound so unlike anything else going on in hip-hop and yet sound so right? The Whole World is a bouncy barnyard of a single, infectious and as singalong as anything Outkast have released previously. But more importantly […]

Duel 2002 Round 1 Match 7
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Duel 2002 Round 1 Match 7

Which Of These Two Bands Is Worse?

The Stereophonics

The Strokes

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A handbag full of tar and a gladrag soaked in chloroform — Jesus, where do you even begin to ta[…]

At first it was difficult to believe
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At first it was difficult to believe, Marilyn Manson’s version of Tainted Love – for all its chest beating machismo, is actually much, much camper than the Soft Cell one. Then I went home and listened to the original and realised it isn&#[…]

POP-EYE 3/3/02
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POP-EYE 3/3/02
Mist, velveteen and thick, slowly expanded to take up the space where previously merely fresh air lived. It rolled over this – the oldest of rivers its thick oily river snaking between the south of his past and the north of his e[…]

It’s obvious why this Pitchfork reviewer
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It’s obvious why this Pitchfork reviewer didn’t like the new Lambchop album – see for instance what he says about their last record, Nixon: “As the band’s makeshift orchestra performed horn and string swoops worthy of a […]

Freaky Trigger Focus Group V
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Freaky Trigger Focus Group V: it’s here! Thanks to Mike Daddino for all his hard work (held back by my procrastinating about typing up comments!) and I hope you all enjoy it enormously![…]

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