In which one syllabubdobdee (who he?) dives into the complexities of “audience response theory” as it applies to Masterchef.
(And introducing Blogging Doesn’t Get Tougher Than This, an outlet for people who can’t not watch foo[…]

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Consider the evidence.

(more…)[…]

… in which Everett True gets the internet to do his PhD homework for him =:)
ET is crowd-sourcing responses to questions that relate to his thesis, which is about music-writing and the internet. Question #2 was “what is the role of the mu[…]

It’s been a long while since I last picked up my guitar, but every so often I’ll go to a gig that makes me consider making music again. This can be for a number of reasons:
1) The music is SO BAD I think to myself ‘I can do way bett[…]

(This piece was written to coincide with Mike Dibb’s documentary on the jazz saxophonist Barbara Thompson, and how Parkinson’s disease affects her playing life. The first time I saw it, at a screening last year, I knew I wanted to write s[…]

Yo ho ho and a bottle of dumb. My joint fourth worst films of last year are additions to franchises, which use boats, monsters and lack any real plot logic. Both films are adapted from books, one ridiculously loosely, the other relatively slavishly. […]

or “You Will be Very Crumpled””
… being a show-by-show TARDIS-esque (ie in effect random) exploration of Doctor Who Soup to Nuts, begun at LJ’s diggerdydum community, and crossposted at FT.
aka the Sorrows of Young Adric, in which everyone&[…]

Part of the freshly exhumed ‘hauntography’ series. Read the original story, or read more about the series.
Anyone reading these stories in canonical order should by now have a good idea of how they tend to play out. An aged antiquary finds or hea[…]

As long planned, here‘s the page dedicated to our late friend and colleague, gathering together his work on the internet and the many fond tributes to him. This is a work in progress: please point us to anything you think also belongs here.[…]