the other kind of industrial 26 Oct 2018 [This post originally went up at my PATREON: subscribers get to read posts and hear podcasts early — and help offset costs and time and help me do more of…
About the Author
writer and editor bit by bit fashioning a history of the UK music press HERE https://www.patreon.com/marksink3r/posts
15 Aug 2017
Spooky happenings over on Silent London this week, where the Sound Barrier Podcast dabbles in the supernatural, otherworldly and ectoplasmic. Or rather, a pair of meditative films which use death, and the afterlife, to dwell on the nature of existence. But if that feels a little dry, don’t worry there are madmen axing down doors, […]
21 Dec 2009
Well, that’s that: the machine has been given a good beating and we can look forward to “Bulls On Parade” on the festive Argos ad next year. I will admit I didn’t think the RATM crew could do it: I was wrong. But as the dust settles on this most fractious and increasingly entertaining Christmas […]
2 May 2008
#389, 2nd June 1976 I was aware of this song long before I heard it – as a young boy it was quoted at me by my Dad should I ever object to tidying my room. Since my room was rarely tidy, I became very familiar with the central notion of “No Charge”. Like my Dad, I […]
10 Aug 2004
Distilled from several years of pop experience, here from the WORST to the BEST are ways to approach a cover version. The Acoustic Guitar: i.e. “Any good song will sound great on an acoustic guitar”, runs the prized nugget of MOJO wisdom which results in Travis mauling “…Baby One More Time”. Culprits throw up their […]
24 Dec 1999
Low’s Christmas tree is a simple one, with eight plain wooden baubles. The band write four tracks themselves, offer interpretations of two carols and crooners’ favourite “Blue Christmas”, and nobody’s bothered to take credit for “Taking Down The Tree” (but it sounds like one of Low’s own). The record is packaged – beautifully – like […]
4 Sep 2009
#543, 15th December 1984, video “Do They Know It’s Christmas” is significant in one way, and insignificant in another. First, it raised a lot of awareness and money and established the pop single as an excellent mechanism for doing those things. This was significant. Gargantuan “supergroups” like this fell out of favour but charity records […]
20 Jul 2007
I semi-remember just two lines from the NME’s (Charlie Shaar Murray’s?) review of “Armed Forces” (secret unused title “Emotional Fascism”). One was that one of the other songs resembled ELP “jamming in the bottom of an oil drum”! The other — more germane to this post, as well as being true — is that “with […]
1 Jan 2003
101. THE CHEMICAL BROTHERS – ‘My Elastic Eye’: ‘It sounds exactly like an elastic eye!’ said Fred S. I scoffed, but you know what? – it does! Though maybe more a clockwork one – but the wobbly fuzz-bass still sounds like it’s looking, even probing the track for something. Every music-box noise here is luxurious […]
