- Omargeddon #44: Azul, Mis Dientes
You would expect an artist often designated (or perhaps saddled) with the ‘progressive’ label to continually evolve and reinvent themselves, and in this respect Omar Rodríguez-López has not disappointed. Over his decades-long career he’s upen[…]
- A Big Thing Or A Small
I. PANDEMIC
The People’s Pop Polls end this weekend after four years, three months, and something like 47 tournaments of almost 12,000 pop songs. They started in March 2020, a way of solving a very acute problem which turned into a way of so[…]
- Why, Claudius? – My scavenger quilt will only hide the truth
Shortly after this project began, I was lucky enough to watch Richard Ayoade and Black Francis perform “Hey” during Adam Buxton’s live podcast. It was an evening packed with hilarious AI-generated art, charming anecdotes and general ramblechat,[…]
- Why, Claudius? – Old King Log
Skip to the end: Old Clavdivs is now Current Clavdivs. He lies motionless, watched over by a haughty woman and her heavily rouged and lipsticked son – his fourth wife, Agrippinilla and his stepson, the Nero. Upon confirming that he is dead, nei[…]
- Why, Claudius? – A God in Colchester
This week’s flash-forward is just a few frames of Clavdivs, continuing to write into the night. The scene dissolves into a view of Messawina and her lover, the Greek actor Mnester, rolling around in a post-coital glow. She assesses the damage her v[…]
- Why, Claudius? – Fool’s Luck
This week’s flash-forward is ultra short: just a few frames of Old Clavdivs in his study late at night, scowling at his crown of gold-plated laurel leaves. The previous episode’s concluding cheer long live the Emperor increases in volume as the s[…]