The opening credits for I, Claudius (or Clavdivs, if you will and you probably should, so let’s) have long since passed into National Treasure status. No doubt the most aggressive bugle you’ll ever hear outside military boot camps that bookends e[…]

Puritanical belief in predestination has fallen somewhat out of fashion in modern times, although some might argue that true free will is an illusion, even without an asshole God casting people into the fiery pits of hell without regard to their actu[…]

I bought the Omar Rodríguez-López & John Frusciante CD upon its re-release in 2012 through his partnership with the Sargent House label, eagerly anticipating a thick-cut shredfest capable of clearing the earwax of everyone within a 2-kilometre […]

By now, it should be abundantly clear that owing to my total lack of even the most rudimentary understanding of music theory or technique, Omargeddon reviews are emotionally driven. As such, I’m forever trailed by a weird sense of, if not outright […]

Omar Rodríguez-López is famously prolific, so I knew at some point during this project that my to-review list would increase; my only surprise was that it wasn’t sooner. The Clouds Hill Tapes Parts I, II & III were released during Summer Lock[…]

Every review I write is a quivering pile of jelly, andwith every ill-informed take, I sling another batch on an ooze mountainwhich is certain to eventually collapse, trapping me in its slimy prison,deafening in a crashing cacophony of colour.I can&#8[…]

I am making a concerted effort to both seek and recognise joy, in whatever form it takes, as often as possible. As such, I am recognising the shit out of the sheer unmitigated joy experienced at the Mars Volta’s Troxy show and the ripples of yay th[…]

I waited ten years for a new Mars Volta record, and when it finally arrived, I began anticipating a follow-up ORL solo release. But wait – there’s more Volta! Que Dios Te Maldiga Mi Corazón is a total reworking of the self-titled album as ac[…]

ABBA Voyage, The ABBA Arena

In Jim Steinmeyer’s fine history of stage magic, Hiding The Elephant, he goes into detail on the history of Pepper’s Ghost, the illusion that captivated Victorian London and revolutionised the tricknology of magic p[…]

Eight episodes are now up: Hazel Southwell and Mark Sinker talking through the story of the UK music press from two very different angles (bcz I am old and she is not), to help start the conversation around my upcoming book.
pod 1: the pilot!
pod 2: […]