Archives – Tom  
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The Best Of Funny Folk
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This is a selection of the Funny Folk cartoons which ran on Freaky Trigger during 1999. Script and Art by Al Ewing except * where Script is by Al and Tom Ewing.
“Choke – it’s predicted DOOM – for ME!”
“I’ll &[…]

Under My Skin: Stray Thoughts On Crooners And Roxy Music
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HEY BROTHER, POUR THE WINE
I wanted to write something about crooning and the figure of the crooner, the great crooners being the true dinosaurs of the rock era: old, cold-blooded, and powerful. Through one lens, the songs sung by Dino or Frankie or […]

Dumb Angles: The Myth and Promise Of Smile
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Part of the attraction of Smile to the journalistic and maybe the ‘alternative’ mind is its encapsulation of writerly failure – the deadlines that quietly slip away, the fragmented masterpieces kept in shoeboxes, the way some people can liv[…]

The Singles Bar
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A coin in a jukebox, a basement that smells of piss and rust, full of vinyl at ten pence a time, a tape in a cheap cardboard sleeve, bought in a train station, a green courier bag holed where the corners of 12″s poked through, a radio aerial, q[…]

THE LEXICON OF LOVE: The Go-Betweens, Live In London, 17th May 1999
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What was that phrase? Grace under pressure? No pressure here any more, twenty years into the game and playing in front of an audience that’s more like a congregation, but Robert Forster and Grant McLennan are still gracious enough and more so. […]

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Dead Again: MP3s And The Dissolution Of Pop
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The mode of the music changes, the city quakes, or at least those blocks of primer-than-thou office space quake that house the HQs of worldwide record companies. The reason, apparently, is MP3 technology, which you all know about and most of you use,[…]

Monolake – Interstate
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The shutdown of the Chain Reaction label leaves its various artists to fend for themselves, without the cover of CR’s austere aesthetic: skeletonised house, ultra-repetetive processed dub, and of course the literal cover of those lovely but irr[…]

The Leisure Hive
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It’s half-past nine on a weekday night in central London and I’m watching a band in a bar. The sign on the door might say “Blues Bar” but apart from the odd introductory lick there’s little here Son House or even Eric Cl[…]

Deviant Glam
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Velvet Goldmine and the Erotics of Pop
So here’s what I liked about Velvet Goldmine: there’s a moment when teenaged glam fan Arthur gets home after buying the new ‘Brian Slade’ record. He puts the record on the player and then[…]

Robert Crumb Was Right!
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Various Artists – That’s What I Call Sweet Music
For thirty-odd years now, underground comics legend R.Crumb has been preaching musical theory to a decidedly sceptical audience. Crumb was always faintly anachronistic in the hippie comix s[…]

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