Archives – Tom  
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96. PRIMAL SCREAM – “Rocks”
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Tom Ewing’s Top 100 Singles Of The 90s 
Like dance writer Simon Reynolds says, Primal Scream are a critic’s band, because all their records, sleeves, haircuts are acts of criticism themselves, statements about how music should be. &#8220[…]

97. BEATS INTERNATIONAL – “Dub Be Good To Me”
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Tom Ewing’s Top 100 Singles of the 90s 
“When they kick on your front door, how you gonna come?” – The Clash’s most palatable, punch-drunk track, Guns Of Brixton, still full of absurd backs-against-the-wallisms but slun[…]

98. FLYING SAUCER ATTACK – “Sally Free And Easy”
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Tom Ewing’s Top 100 Singles of the 90s 
A cover of a forgotten fifties folk tune, “Sally Free And Easy” is the track that makes explicit Flying Saucer Attack’s romantic purpose, tightly drawing the strings together which conn[…]

99. THE INVISIBL SKRATCH PIKLZ vs Da Klamz Uv Deth
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Tom Ewing’s Top 100 Singles Of The 90s
What you hear is not a test – the Invisibl Skratch Piklz are junkyard jazz, the perfectly po-mo sound of pop culture in meltdown. One of the great ear-boggling pop statements, Vs Da Klamz Uv Deth is […]

100. METALHEADZ – “Terminator”
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Tom Ewing’s Top 100 Singles of the 90s
“You’re talking about things I haven’t done yet!” You and anybody else. Terminator is a record that gets ahead of itself, hurled back from some pure-war future to explode into 1992,[…]

Not A Pope Factory Review: The Critic As Neurotic
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Ingratitude: a key critical quality I’d not much previously thought about, until I got the new CD by Toronto’s Pope Factory through the post. Standing dressing-gowned and bleary-eyed in the hallway of my parents’ house, slimly omino[…]

HAPPY LIKE POP STARS: The Auteurs – How I Learned To Love The Bootboys
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England under the knife: the second great British pop album of 1999 is a sick and bruised twin of the first. XTC’s Apple Venus painted England as a rustic, mystic utopia, where lives find rest and satisfaction in changeless countryside ritual. […]

The Greatest Record Ever Made
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What was the worst you were hurt? And was it as bad as this?
A simple piano figure echoes through the emptiest room in creation, its notes caked with dust and maybe regret, repeating until it stops being any kind of melody and becomes the sad up and […]

Secret Language – Brands In The Age Of Pop
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IT’S GOOD TO TALK
What is The Matrix? Mostly, an advert. The vehicle of communication, transport and ultimate liberation in this modern-and-knows-it film isn’t the dowdy, sinister computer but the telephone, specifically the Nokia mobile […]

It’s All Right
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The Chemical Brothers – Surrender
There’s very little that’s tougher to write about than enjoyable music. Should you blunder across a record that harrows your soul or corrodes your skull or scrapes your brainstem with iron claws, we[…]

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