Wish You Were There: finally, my web account and FTP connection are back, and the Glastonbury 2002 Review can go up. It might be selective but it’s still the best write-up you’ll find – and unlike the NME, our writers actually bothe[…]

Gloriously bizarre article from Stylus Magazine which starts from the premise that dance music journalism is marred by its obsessive reliance on football metaphors. Nowhere in the piece does the writer suggest how dance music should be written about,[…]

Andrew WK: I Get Wet: Pitchfork Review: Remarkable write-up of the Andrew WK album from Ryan Schrieber, Pitchforkmedia’s editor-in-chief.

Remarkable because it gets Andrew WK’s music so descriptively right – “Nothing co[…]

Tom’s Top Ten!
THE RAPTURE – “House Of Jealous Lovers”
LIGHTNING SEEDS – “3 Lions (Osymyso Remix)”
NELLY – “Hot In Herre”
SPACE COWBOY – “I Would Die 4 U”
HAPPY MONDAYS &#8[…]

josh blog is back, you’ll be pleased to hear.[…]

What do you talk about, when you talk about music? Because I don’t remember. I remember sitting in a car at two in the morning, waking the neighbours with the talk. I remember beers and hoarse throats, the hush of listening, the glee, the mocke[…]

PREEYA KALIDIS – “Shakalaka Baby”
This could and should have been a lot stronger. It’s the lead single from Bombay Dreams, the West End’s first ‘Bollywood musical’, with tunes provided by A R Rahman, the youn[…]

I am almost certain that the music that gets played at School Disco.com (though what is with that stupid suffix?) is more enjoyable than the music that gets played at Cream, but I still share the undercurrent of unease running through Alexis Petridis[…]

Grokepile is back!: I can upload again! (Get your requests in now.)[…]

Freaky Trigger vs The Cockfarmers – slight return.[…]