Foistered on an unsuspecting public like an epidemic of ebola, an occasional writer of this parish has hit the BIG TIME. Al Ewing has written a book which has been considered to be so awesome that the UK’s Flagship Sc-Fi, Fantasy, Comics and bi[…]

We had a lovely night out last night, to celebrate Carsmile Steve’s birthday*, in the Ship, a wonderful Fitzrovia tat filled boozer. We’ve been there before, and as then, and now the key thing to note is that they only have one ale on off[…]

Of all the records this admittedly sluggish Top 100 could have stalled on for its longest period, it is odd that it was Teenage Kicks. After all everyone loves Teenage Kicks, right? Tom was toying with writing about it as an adjunct to this Pitchfork[…]

I had considered tagging this link Not Safe For Work, but truly it is Not Safe For Anywhere. One of my favourite parts of watching the Daily Show is when they show the ridiculous graphics and bombast of American election reporting. And then, on a nig[…]

I don’t know why I am still watching Lost. It makes me feel terrible about my own ability to follow a narrative storyline, and how easily my buttons are pushed but the simplest of TV trickery. I have never believed that the writers have really […]

In these days of Grand Theft Auto IV and WiiFit (who knew you could wee and get fit) its good to know there are plucky game designers out there doing it all for nothing. Perhaps as a showcase for half finished ideas, perhaps as a way of trying out id[…]

Do you know of anything artistic knocking around at the moment called P1? Maybe a novel, or a collection of poetry. A play, preferably a good one, or maybe one of the English National Opera’s experimental jobs at the Young Vic? Why? Well I kind[…]

Russell Brand isn’t the best thing about Forgetting Sarah Marshall*, but he is very good in it. And interestingly what is so good about Brand in thsi film is that he is so gosh darned nice. Which has made me think about the Brand brand over her[…]

Why this particular cover. I think this is the first in this series where Aggie’s name is her signature. This is has been quite standard in the last twenty years as part of her branding, giving the visuals a particular stamp. A signature editio[…]

I really enjoyed The Last Mistress, Catherine Breillat’s filmed version of d’Aurevilly’s novel. Look who am I kidding. d’Aurevilly means nothing to me, and I’ve never been a huge fan of Breillat’s sex comedies (suc[…]