Posts from February 2021

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Feb 21

Omargeddon #18: Un Corazón de Nadie

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To suggest that delivering three albums over a twelve-month period indicates a slow year would normally be ridiculous, but for Omar Rodríguez-López fans, 2012 probably felt a bit like an old-timey cowboy actor (i.e. Slim Pickens). To give this a bit more context, 2009 saw six releases and 2010 seven, which in turn now appears positively tame compared to the glorious twenty-three-record bounty of 2016/17 as part of Ipecac Recordings’ back catalogue clearout bonanza. According to the liner notes, Un Corazón De Nadie (“Nobody’s Heart”) “was completed in November of 2010, and then sat in the wild strawberries vault until its release in May of 2012.” For material to sit around brewing for a couple years before becoming available isn’t unusual for ORL records, but for all of the releases in a given year to have a unifying genre, in this case electronica, certainly is.

Both Wikipedia and contemporaneous reviews refer to Un Corazón De Nadie as the first in a trilogy of electronica-influenced albums, followed by Saber, Querer, Osar y Callar and Octopus Kool Aid. The production is coarse, rather than the cotton-wool fuzziness present on other effects-laden, synthy, mid-era ORL records. It too is drenched with effects but is comparatively more polished – somewhere between Tychozorente and Unicorn Skeleton Mask. Songs are a lyrical mix of Spanish and English, interspersed with instrumental segues as is usual for his electronic music. This collage-y nature is also reflected in the cover art, a photo composition done by his mother (and possibly featuring her holding baby Omar), who passed away the year of this release.