Apologies to anyone who wanted to, you know WRITE, about this subject. We couldn’t find anyone on the internet who was interested. In fact, for the life of us we’re not even sure how this entry managed to get this high in the list. We suspect an orchestrated internets campaign on USENET.
What’s the deal with Belle and Sebastian? Loads of people idolise them, perhaps as many despise them. I’ve always just heard pleasant but inessential indie-pop with catchy-ish tunes and fairly lame vocals (though I get that it’s kind of the point), sometimes merry, sometimes wistful but never, to these ears, exciting. “Like The Beatles if they’d all been Paul” is how I once, snidely, dismissed them. This isn’t a ‘why bother with wimpy indie-pop’, I get why people dig that, but why their wimpy indie-pop over anyone else’s?
2 Jan 2001
On Skykicking last week, Tim touched, popwise, on the continuing cultural battle over what the eighties were or are or mean or meant. The story of mainstream rock and politics in the 1990s was among other things the story of a similar battle, that time over the sixties. On the one hand you had the […]
1 Jan 2003
101. THE CHEMICAL BROTHERS – ‘My Elastic Eye’: ‘It sounds exactly like an elastic eye!’ said Fred S. I scoffed, but you know what? – it does! Though maybe more a clockwork one – but the wobbly fuzz-bass still sounds like it’s looking, even probing the track for something. Every music-box noise here is luxurious […]
10 Aug 2004
HOW TO DO A COVER VERSION Distilled from several years of pop experience, here from the WORST to the BEST are ways to approach a cover version. The Acoustic Guitar: i.e. “Any good song will sound great on an acoustic guitar”, runs the prized nugget of MOJO wisdom which results in Travis mauling “…Baby One […]
30 Apr 2000
April 2000, Piccadilly The sun comes out over London and the Summer starts: everywhere you look you see people in love, snogging on the tubes and holding hands on the escalators so you can’t get past them. Baggy shorts and halter tops all over the place, kids sitting together on Eros and choking on the […]
20 Jul 2007
I semi-remember just two lines from the NME’s (Charlie Shaar Murray’s?) review of “Armed Forces” (secret unused title “Emotional Fascism”). One was that one of the other songs resembled ELP “jamming in the bottom of an oil drum”! The other — more germane to this post, as well as being true — is that “with […]
1 Apr 2001
freaky trigger : all cure, all the time everyday – beach kyoto paris siam : : i love the cure : : cure artefacts How To Join In Cure Discussions Cure Reviews Cure Articles Other Cure Articles Cure Albums of the 90s Cure Singles of the 90s Cure Links E-Mail every week Am I Bob […]
8 Feb 2001
Charlemagne Palestine – Four Manifestations on Six Elements 1. Charlemagne Palestine approaches a piano like a climber approaches a mountain. He does not play the instrument so much as he lets it test him: he starts each performance like an ascent, knowing that somewhere ahead there are the limits of the piano, and also the […]
13 Aug 2008
#428, 18th November 1978 “Rat Trap” is billed – in the Guinness Book Of British Hit Singles, no less – as the first punk No.1. I couldn’t recall it – my memories of the Rats themselves were vague; Geldof I knew for later good works. So I approached “Rat Trap” cold but with a frisson of definite […]
Best post ever.
Apologies to anyone who wanted to, you know WRITE, about this subject. We couldn’t find anyone on the internet who was interested. In fact, for the life of us we’re not even sure how this entry managed to get this high in the list. We suspect an orchestrated internets campaign on USENET.
This song is great, I’m sure I voted for it. I last heard it playing in Starbucks and they cut the song just before the word “wanks”.
Presumably they don’t know what an arab strap is otherwise they’d forego the whole song. FWIW this is my favourite Belle & Sebastian song.
No, Punka was robbed.
What’s the deal with Belle and Sebastian? Loads of people idolise them, perhaps as many despise them. I’ve always just heard pleasant but inessential indie-pop with catchy-ish tunes and fairly lame vocals (though I get that it’s kind of the point), sometimes merry, sometimes wistful but never, to these ears, exciting. “Like The Beatles if they’d all been Paul” is how I once, snidely, dismissed them. This isn’t a ‘why bother with wimpy indie-pop’, I get why people dig that, but why their wimpy indie-pop over anyone else’s?
Which Steps song was in contention?
It was the Best Newcomer award wasn’t it? Rather than an award based on an individual song? Or is my memory playing tricks on me?