People in the Popular comments boxes are talking about “the canon”. I’m always quite curious as to which bits of the canon have ‘taken’ with a broadly pop-positive audience such as we have here. So here’s a poll, v[…]

Here at Freaky Trigger we have realised that January has been a bit slow with output. A new year can put new strains upon our writers and what with Tom’s Guardian column and me embarking on a year without cinema, pickings have been slim. What w[…]

Well, that’s that: the machine has been given a good beating and we can look forward to “Bulls On Parade” on the festive Argos ad next year. I will admit I didn’t think the RATM crew could do it: I was wrong. But as the dust s[…]

One of the things that’s fascinating about the UK Top 40 is that a device designed to be a pure expression of popularity also works as a reflection of so many other things. People buy songs: if enough people buy a song it gets into the charts, […]

Lists, lists, lists. Its what we do around here, and the end of a decade gives us ample opportunity to look back with fondness over a decade. Music, films, television were all thrown in the mix, and may pop up. But most important to us is the social.[…]

Here’s something I did for fun yesterday: a graph showing the % of UK #1 hits with female lead vocals, year by year. (Shared male/female leads counted half)*.

(Click on it if you want it a bit clearer).
The red bars are the percentage of femal[…]

This is a graph – done by anatol_merklich off the Poptimists LiveJournal community, so massive thanks to him – showing the number of new entries in the UK singles chart for each year from 1952 to the present.
(more…)[…]

Mars Planets: the atomisation of the Mars Bar. An entropic dis-integration, the tendency of all things to become more chaotic, in confectionery form. I’m trying to resist the impulse to tie this stuff up to no-such-thing-as-Society atomisation[…]

On my eleventh birthday I received a copy of a tape called “Rave ’92” through the post from my sister Grace, who was away at university. It was the second tape she had made for me whilst she was away, (the first being a random mix o[…]

I semi-remember just two lines from the NME’s (Charlie Shaar Murray’s?) review of “Armed Forces” (secret unused title “Emotional Fascism”). One was that one of the other songs resembled ELP “jamming in the bo[…]