Pitchfork puts the case against Moby and does so with aplomb and a side dish of good old-fashioned techno snobbery (“One can’t even imagine Jeff Mills or Richie Hawtin spinning a Moby 12″!”). Paul Cooper is the most intelligent writer Pitchfork‘s got at the moment, and even when you disagree with him (I don’t, here) his reviews are worth looking at.