This is the seventh in a series of posts about Cerebus The Aardvark, a comic I used to read. Spoilers, as ever, abound.

Previously: Dave Sim ended the first half of his 300-issue Cerebus comic with a meditation on death, specifically the death of […]

This is the sixth of my posts about Cerebus, the alternative comic that ran from 1978-2004. As usual, it’s full of spoilers for the book in question, the whole run of Cerebus and in this particular case, the life story of Oscar Wilde.

Previo[…]

The opening credits for I, Claudius (or Clavdivs, if you will and you probably should, so let’s) have long since passed into National Treasure status. No doubt the most aggressive bugle you’ll ever hear outside military boot camps that bookends e[…]

Puritanical belief in predestination has fallen somewhat out of fashion in modern times, although some might argue that true free will is an illusion, even without an asshole God casting people into the fiery pits of hell without regard to their actu[…]

This is the fifth in a series of posts on Cerebus The Aardvark, an often technically brilliant comic. As usual, it contains spoilers for both this novel and the series as a whole. In fact, this is a particularly spoiler-heavy post.

Previously: Dav[…]

This is the fourth in a series of posts on Cerebus The Aardvark, a comic I suggest you approach with caution if at all. As usual I’m including spoilers for the whole series, and not including much if any art. Church And State is one story publi[…]

(This is the third part of a series about Dave Sim’s Cerebus The Aardvark. As before, I’m not trying to get you to read this comic, just scratching a discursive itch, so it’s spoiler-heavy and artwork-light. Church And State, the th[…]

(The second part of a series reconsidering Dave Sim’s Cerebus The Aardvark on the occasion of me actually finishing it. As before, I’m not worrying too much about spoilers or trying to draw attention to particular moments or bits of art: […]

I bought the Omar Rodríguez-López & John Frusciante CD upon its re-release in 2012 through his partnership with the Sargent House label, eagerly anticipating a thick-cut shredfest capable of clearing the earwax of everyone within a 2-kilometre […]

As I said in the intro post, I’ll be posting expanded – in this case vastly expanded – versions of my Cerebus reviews on here. These aren’t really meant to advertise the comic, so I’m keeping actual images to a minimum, […]