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Alistair Fitchett
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Alistair Fitchett writing in Tangents sums up pretty much what I also felt about the Baxendale contribution to Papercuts’ giveaway CD, which I promise I’ll write more about myself soon.[…]

‘Sabotage’ greatest music video ever
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‘Sabotage’ greatest music video ever: this is the results of a poll taken by Promo magazine – over four weeks last month, I went and saw all of these and more at the NFT. While it’s certainly true that “Sabotage” i[…]

Radical Man!
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Radical Man!: New Radicals frontman to co-write Ronan Keating’s next single. No comment.[…]

Riot For Romance!
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Riot For Romance!: I think this is a fantastic image of Johnny Rotten, from the generally excellent Oh Messy Life. It captures the romanticism of the Pistols perfectly – or rather, the feeling that they operated in a culture where doing what th[…]

Real Life Rock Top Ten
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Real Life Rock Top Ten: Groovy Greil bigs up none other than Jyoti Mishra! And there are far worse things in American Psycho than “Walking On Sunshine”….[…]

Calling all teenagers!
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Calling all teenagers! If you’re a teenager who reads Freaky Trigger, or indeed one who writes for it, and you’d like to take part in a tacky themed article thing, then please do drop me an e-mail. Thanks![…]

You’re all losers baby!
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You’re all losers baby!: Beck doesn’t like pop music shocker. Why people making predictable music for one niche market feel the need to slam people making predictable music for another niche market continues to escape me.[…]

THE POP GROUP – 3’37”
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THE POP GROUP – 3’37” (B-Side Of She Is Beyond Good And Evil 7″)
The thing about The Pop Group is that – get this! – they weren’t a pop group. The thing about “3’37″” (best currently f[…]

SAINT ETIENNE – “Wilson”
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SAINT ETIENNE – “Wilson” (from the Foxbase Alpha CD)
I was under express instructions not to mention this in my main article, which is a shame, because in a way “Wilson”‘s the most English (and best!) thing on the […]

Britpop In Oz
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Britpop In Oz: also new on Freaky Trigger is Tim Finney’s penetrating article on the Australian anglophiliac ‘scene’.[…]

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