Douglas Wolk has a kind of listening-log/instant-review thing here, and it’s very good.[…]

The Anti-Bling Kings: Simon Reynolds on Cannibal Ox. Very good on the problem of the underground MC (“as knotted with riddles and imagistically overripe as a late-period Costello lyric” – yes!), then less good on explaining exactly […]

The Mix Project: Michelangelo Matos makes mixtapes and writes about the songs on them as he does so. I thought of doing something similar to this a little while ago but all my mixtapes are the same anyway.[…]

Why I Love House Music: the end for A Thousand Songs is surely finally in sight![…]

In case you’re interested…the LondonIndieUSA event raised – when corporate donations were included – around £1800 for the International Red Cross. Thanks very much to any readers who came along![…]

THE STREETS – “Has It Come To This?”
“You’re listening to The Streets”
Are we? The Streets is a novelty record which has the feel of an underground record, or – maybe even better – it’s an undergr[…]

Four Months Later…: A Thousand Songs is back.[…]

Pleasantly straightforward review of the recent Acid Mothers Temple album, blogged because it is what I have been melting my head with all day.[…]

radio free narnia is a weblog by Mark Sinker. It’s not all about music but announcing it here should win it more hits than announcing it on Groke.[…]

Heroes Or Zeroes: note quote from “Internet music journalist Tom Ewing” at the bottom. Look Ma, I’m famous![…]