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Omargeddon #8: Umbrella Mistress
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Back in the day, I had a very fixed idea of what an Omar Rodríguez-López album should sound like. I was still in recovery from the rockism that had clouded and limited my horizons since I was a teenager, and often struggled to identify what it was […]

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Omargeddon #7: Solar Gambling
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Since I started the Omargeddon project, I’ve been paying less overt attention to new music, both new-to-me and newly released material. In fact, my sole contribution to the FT Readers’ Poll was Janelle Monae’s “Pynk”, totally forget[…]

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Omargeddon #6: Corazones
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There’s the Mars Volta and there’s the Mars Volta Group, and it’s important to understand the difference between the two. The Mars Volta is the partnership of Omar Rodríguez-López and Cedric Bixler-Zavala, and the Mars Volta Group is the evol[…]

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Omargeddon #5: Cryptomnesia
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Most Omar Rodríguez-López albums are released under his name, but there a few variations: El Trío de Omar Rodríguez-López, the Omar Rodríguez-López Quartet, the Omar Rodríguez-López Quintet, and when touring, the Omar Rodríguez-López Group[…]

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Omargeddon #4: Weekly Mansions
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I’ve been stuck in a funk of late. Sadly, not a George Clinton-flavoured funk, but a stank, stuck funk of my own making. My compulsive need to trace the original sources for all the revised riffs, beats, and samples that crop up in later Omar RodrÃ[…]

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Omargeddon #3: Octopus Kool Aid
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It would be inaccurate to say Octopus Kool Aid passed me by, but by the time I learned of its existence, I was too depressed about The Mars Volta’s breakup and too ready to blame this album for causing it. It’s only been recently that I’ve take[…]

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Omargeddon #2: Tychozorente
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Last week at work, while creating the dashboard reports for this month’s round of governance boards, I was struck by the idea of creating an Omar Rodríguez-López music matrix. The upper left quadrant would be jazz/experimental, the upper right ro[…]

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Omargeddon #1: Old Money
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Old Money is like a crazy quilt with no immediately discernible pattern upon first inspection. There’s so much happening, it’s impossible to take it on all at once. The riff-squares are stitched together with your typical rhythm section, plus woo[…]

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Omargeddon
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I came late to the Mars Volta, becoming a fan after my friend Glynnis sent me ripped copies of De-loused in the Comatorium and Frances the Mute. I’d been looking for new music, and as I’d gotten her into my favourite band, The White Stripes (RIP)[…]

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TFTACOXS* – December 12: M&S Chestnut Roast Wrap
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If buying sandwiches from a pharmacy seemed alien to me, I wonder what I would have thought about department stores selling them. I learned what Marks and Sparks was on the same tram journey back from Meadowhall that I learned what aubergine was (it […]

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Latest comments on FT

  1. I spent the latter half of 2021 totally obsessed with Afrique Victime - the song, and the album itself which…

  2. Have you heard in.ter.a.lia? I genuinely wasn't expecting a new ATD-I album (or indeed a second reunion tour) but I…

  3. Also, I feel duty bound to note that I sincerely believe to every season there is an Omar (an Omar…

  4. At The Drive-In preceded The Mars Volta and although it wouldn't be accurate to say there's no ATD-I influence in…