Features

Great News For All Our Readers!

Hello Popular readers!

After sixteen years, and suffering from (as you’ll have noticed) a much slower posting rate, I’ve come to a decision.

I’m going to crowdfund this project, using Patreon. HERE’S THE LINK. This coincides with me leaving my day job and going solo, which opens up a lot of spare time. But billable time being money in the freelance world, I want to be able to devote time to Popular, and Patreon is a way to do that. It’s not a perfect platfornm – what is? – but I’ve been able to set up tiers and goals which I think might appeal to people who like my work.

Very importantly, if you decide not to contribute, nothing will change – Popular will still appear here, on Freaky Trigger, and hopefully a lot more regularly than it has done recently.

UPDATE: We’ve already reached the point at which I am happy to guarantee 4 entries a month – I am enormously grateful and delighted by how quickly this has happened and how much support this funding initiative has had. Thanks, you lovely lot.

If you DO become a patron, you’ll get early access to main entries, very early access to certain other entries, and exclusive access to some other exciting things. THAT LINK AGAIN.

Whether you join up or not, it’ll mean more Popular, sooner, and I hope you agree that’s something to celebrate!

And finally, other fantastic FT contributors have Patreons of their own which also deserve your support! Mark S is creating podcasts and articles around the topic of his excellent book, A Hidden Landscape Once A Week and Hazel is crowdfunding her motorsport journalism by dishing the (some) dirt on a Patreon.

The Freaky Trigger Readers’ Poll 2018: #40-#31

“Greetings! It’s me, 90’s summer dance craze The Macarena. I’ve never really gone away, as you must surely know: the muscle memory of hand flips and hip wiggles is ingrained into the very fabric of your DNA, to be passed down to your heirs and their heirs for many centuries hence, waxing on and waxing off, a ritual movement surging through their synapses that they can neither explain nor resist, all meaning lost in time save for the mythical figure of The Boy Whose Name Is Victorino and a vague feeling it has something to do with a Brazilian football stadium. Beat that, Drake! Welcome to the 2018 Freaky Trigger Readers’ Poll…”

Thanks, The Macarena. Let’s get cracking!

INTRODUCING the FT Theatre Poll 2018!

Hello and happy new year! It is I, Cameron Mackintosh, the world’s most powerful and most 80s theatre producer. Les Miserables, The Phantom of the Opera, CATS – I’m kind of a big deal guys!!!!! 

Thanks Cam! On the principle that every drunk idea at Pete’s flat is a good idea, today now presenting the first ever FT Theatre Poll! That’s right we’re a cultured bunch at FT Towers and imagine some of our esteemed readership are too, or at least have taken their mum to see 42nd Street or something.

The rules will be familiar to you from other such polls, but to summarise:

• Rank your top three, top five, top ten, top whatever number of theatre shows you saw in the UK in 2018. Your number one gets more points than your number five. If you do not rank them a ranking will be randomly assigned.
• Send them to fttheatrepoll AT gmail dotcom by 20 January at 11:59pm.
• It doesn’t matter if it was a revival, a Fringe thing, a million year running West End show, the nativity play your least favourite nephew was in, if you saw people in a room doing some acting, it is theatre and it counts.
• Comedy is comedy and is different, there will be no further discussion on this thank you.

Happy ranking dahhhhhlings, kiss kiss!

Pop World Cup 2018 – Group C Match 1

What if a World Cup lasted ALL YEAR? That’s the experiment we appear to be running with this year’s PWC, and a grand experiment it is too. Here we are with the fourth match, group C, which even features a team that is STILL IN the football tournament. France are one of the great exponents of the modern pop game, but Denmark have form too, and Peru and Australia are tantalising prospects. Listen to all four tracks below the cut, and vote for your favourite two.

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FRANCE (Manager: Sam Walton): Keep Dancing Inc. – “Life Goes On”

“Paris’ Keep Dancing Inc lead their country out for their first match with the kind of classically French, vintage but super-technical short-passing build-up play that will mesmerise fans, opposition and neutrals. Drawing from the proud traditions of French pop’s recent past, Life Goes On blends just the right levels of sleepiness, wobble and melancholy, with two deep-lying forwards in the form of shimmering guitar chords and rich arpeggiated synths supporting a central striker vocal full of youth, confidence and (of course) insouciance. It may appear to be an unassuming start, but like the great France performances of previous international tournaments, Life Goes On just keeps building, self-assured in its own class and irresistibility. Peruvian, Aussie and Danish defences should be very wary indeed, Clive.”

PERU: (Manager: Garry McK): Animal Chuki – “La Venenosa”)

“Peru’s squad contains mastery of the full range of international tactics, but we’ve decided to open our tournament in a very modern Peruvian style. Animal Chuki were forged in Lima’s digital cumbia/tropical bass scene with strength at the back, relentlessness in middle and a skittish front line. We’re hope to harry our opposition all the way.”

AUSTRALIA: (Manager: James Errington): Ngaiire – “Diggin'”

“Far away from the oversaturated scenes of American and Eurasian pop football, Australia have spent the last four years quietly honing a team of gifted, polished players. Wisely, they’ve adopted the tactics of the All-Blacks and started looking to the wider area for talent. Ngaiire was born in Papua New Guinea, but moved to Australia as a child. Her music has been labelled “future soul” – but the futuristic elements are kept low key, tightly wound percussion and nervous synth stabs, while the soul is bared, often painfully so. Diggin’ is “a song about being found before you find yourself in a permanent state of no return.” and in a just world it would have been her worldwide breakthrough. Maybe it can be now.”

DENMARK: (Manager: Jack B): Soleima ft Hoodboi – “Breathe”

“‘Breathe’ is a slick, slyly addictive pop song, and Soleima’s understated, slightly wry delivery is perfect for it. ‘I wanna daydream with you, just so we can breathe’ goes the chorus, which as far as I can tell means what the Danish apparently call ikke noget, but is just lazy enough (in a good way) to fit the atmosphere of the song very nicely. It’s cold enough to sound cool, but warm enough to sound summery, and (more importantly) to sound good on a taxi radio at night, the best possible place to listen to this type of song. Even if this isn’t your cup of £6 Carlsberg now, I suspect that this is exactly the kind of sound that in a few years will make you feel oddly nostalgic for the mid to late 2010s, even if you’re not quite sure why. This is my Denmark team’s Claude Makelele figure, doing more than you think.”

RESULTS: Over in Group F, South Korea make a confident start to the tournament – not their most dominant performance but it’s still 3 points in the bag. Behind them in the Group of Death, Sweden slip up and lose second place to a stylish Mexico side. Germany’s tactics have been found out and they may be heading for the same ignominous exit their footballing counterparts suffered unless they can rally in the second game.

Pop World Cup 2018 Group F Match 1

An intriguing group for this third Pop World Cup match, with two of the sleeping giants of pop football – Sweden and South Korea – lined up against the always capable Germany and dark horses Mexico. Group of death? In a sense, they are all groups of death when YOU have the casting vote. Pick your favourite two tracks and may the best manager win!

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Pop World Cup 2018 Group E Match 1

No, you’ve not missed any matches. We’re putting this year’s games up as we get the entries in, and so it’s a big thankyou to the prompt Group E gaffers of Serbia, Brazil, Switzerland and Morocco. It’s a group of veteran pop managers in the dugout this match, but only two can progress beyond the group stage, and you decide who those two are. Hear the tracks below the cut, and vote in the poll:

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Pop World Cup 2018: Group A Match 1

It’s here! The opening game of the Pop World Cup finds the four teams of Group A raising the curtain on the tournament. Pop football veterans Russia and Uruguay meet two Arab states – Egypt and Saudi Arabia – with less of a record at this level. Who will prevail? You decide. Spotify playlist and YouTube links below the cut with the team talks – go listen and vote for your favourite TWO tracks.

HIDDEN LANDSCAPES: THE PODCAST

Five episodes are now up: Hazel Southwell and Mark Sinker talking through the story of the UK music press from two very different angles (bcz I am old and she is not), to help start the conversation around my upcoming book.

pod 1: the pilot!
pod 2: uh merry memories of the nme!
pod 3: the ins and outs of PUNK ROCK
pod 4: underground overground what’s in between
pod 5: how do you cope when it’s not even pop

If you’re enjoying it, please subscribe to our PATREON, to help cover soundcloud costs and admin, and help us put aside the (roughly) fortnightly time to make it as good as we’d like it! Also please point people in our direction if you think they’d enjoy it. I’m also blogging there every week: essays now up on MORRISSEY and why his bigotry wasn’t seen sooner and challenged harder in the 80s, on the late TOM WOLFE, and how the music press ran with his ideas, and how JOHN LENNON AND YOKO ONO‘s interaction with the radical political press of the early 70s fed into the end of rock and the start of post-punk, and so on and so forth…

Plus here is the book’s COVER courtesy SAVAGE PENCIL — due out Octoberish (UK and US)!



The Sound Barrier Podcast: 8: The Phantom Carriage & A Ghost Story

Spooky happenings over on Silent London this week, where the Sound Barrier Podcast dabbles in the supernatural, otherworldly and ectoplasmic. Or rather, a pair of meditative films which use death, and the afterlife, to dwell on the nature of existence. But if that feels a little dry, don’t worry there are madmen axing down doors, car crashes, poltergeist activities and the most unpleasant TB vector in all of Sweden. In the modern corner we have David Lowery’s oddity A Ghost Story, wherein Casey Affleck stand under a sheet for about an hour and a half. And in the silent corner, the Victor Sjöström starring Victor Sjöström film The Phantom Carriage, a New Years Eve ghost story about redemption and repentance (finally). Who will win, the director of The Wind, or the director of Pete’s Dragon?

The Silent London Podcast can be listened to here on Silent London and it is also available on iTunes and Stitcher. The podcast is presented in association with SOAS radio by Pamela Hutchinson and Peter Baran.

SUGABABES – “Freak Like Me”

#924, 4th May 2002

At The Disco

A scene from Phonogram III: The Immaterial Girl, by Gillen, McKelvie and Wilson, published in 2015. It’s the early 00s, at a disco somewhere in the south of England. A group of people who love music so much it’s become their life and the tools of their craft – magic in the comic’s world; writing, DJing and blogging in ours – have been brought together to scheme and to dance. One of them is Seth Bingo, a skinny guy in a T-Shirt saying “Mutya Keisha Siobhan”. The final name is crossed out, with “Heidi” scrawled underneath. Bingo, affected but handsome in a gaunt sort of way, is talking to another thin white man, a morose husk of a creature called Indie Dave. “What is your take – “ Bingo asks – “on the Babes Of Suga?”.

“My real take?” asks Dave, “Or my ironic one?”. And so Seth Bingo lays him out with an uppercut, the art exploding in colour around the punch.