Popular

31
May 16

DANIEL BEDINGFIELD – “Gotta Get Thru This”

Popular22 comments • 2,343 views

#915, 8th December 2001

bedingfield Like disco and Philly soul before it, UK garage mixed upfront celebration with flashes of heartbreak, only lightly concealed. The carrier for 2-step’s bittersweet accents was often its string or harpsichord lines, set as counterpoint to the carefree lyrics. Sometimes songs were more open about their anomie: “I’m tired of love / And scared of no love” sighs the unhappy singer on Y Tribe’s beautiful “Enough Is Enough”. The opportunity was always there for a garage track which slipped further into the emotional dark, which took the skittering beats of 2-step not as champagne pops but as the prickly heat of nervous desire. Daniel Bedingfield took it.

28
May 16

S CLUB 7 – “Have You Ever”

Popular29 comments • 1,712 views

#914, 1st December 2001

sclubhave Kylie’s brief glimpse into pop’s realm of platonic forms only made the central issue starker: British pop was in the doldrums. The Spice Years seemed more than ever like a can shaken too hard: a burst of fizz, and only flatness left behind. It’s not that Blue’s “If You Come Back” or S Club 7’s “Have You Ever” are especially bad songs. In fact that was the problem – each saw their group at full strength, delivering the best ballad they could. It’s not enough.
Both are vignettes of love and regret. Blue’s is weaker and smarmier, a jilted dude trying to understand what he did wrong, professing that next time it’ll work out. Ghosts of better – or at least more famous – songs flicker through the mix: “I Swear” is in there, and there’s a hint of “Always On My Mind” in the bridge. It only makes you notice how thin Blue’s porridge is. Mush-mouthed, the group make “If you come back to my life” sound like “if you come back here alive” – more exciting, but in any case the song isn’t short on the usual hyperbole. Everything is eternal in boyband songs, all loves last all time.

BLUE – “If You Come Back”

Popular11 comments • 836 views

#913, 24th November 2001

blueifyou The review of this record is in the S Club 7 – “Have You Ever” entry. This is a placeholder entry for its discussion thread and mark.

26
Apr 16

VOX POPULAR: The Charts As Soapbox In A Digital Era

FT + Popular13 comments • 1,907 views

Slide1This is the text of my presentation to EMP 2016, in Seattle. The theme of the conference was “voice”, thankfully this proved flexible enough for me to ride my favourite hobby horse. I gave the presentation without notes, so the text here is slightly drier than attendees might remember, and lacks ad libs, embellishments, moments of desperate panic, etc. Thank you to everyone who attended and thank you especially to all those attendees who came up afterwards and said nice things. I had a wonderful time.

Hello Seattle. Make some noise.

24
Apr 16

WESTLIFE – “Queen Of My Heart”

Popular23 comments • 1,586 views

#912, 17th November 2001

westqueenBack to ‘Life, back to reality. The charts’ burst of Autumnal energy fades, the novelties and classics depart, and it’s a return to business very much as usual, the first single from Westlife’s third LP. “Queen Of My Heart” sounded to me like the ur-Westlife song from when I first heard it, a merciless tramp through the now-established formula. It flirts with the sombre, at first – can this be the Westlife track where the boys are actually going to break up with their long-suffering lady? Not a bit of it: though this is a more muddled Westlife lyric than many, the initial finality turns into a very temporary break.

20
Apr 16

AFROMAN – “Because I Got High”

Popular35 comments • 2,106 views

#911, 27th October 2001

Afroman If rock criticism was a stoner, one of its endlessly repeated good-vibes stories would be Paul McCartney waking up and ‘discovering’ the melody to “Yesterday” in his head as “Scrambled Eggs”. McCartney, no enemy of the herb at this point, became convinced he’d heard it before, only gradually accepting that he’d stumbled upon the tune via luck or talent or sheer morphic resonance – the theory popularised by Dr Rupert Sheldrake in the 80s that blue tits learn to open milk bottles because they’re all connected by a kind of blue tit superconsciousness, mind blown, except it wasn’t true. Though it was true enough for a physics teacher I had to suspend lessons so he could give us all crosswords to fill in, staggered batch by batch to see if morphic learning was happening.

6
Apr 16

KYLIE MINOGUE – “Can’t Get You Out Of My Head”

Popular59 comments • 4,601 views

#910, 29th September 2001

kylie head Between its two writers and its performer, “Can’t Get You Out Of My Head” is the sound of over seven decades’ pop experience. It’s better heard as distillation than prediction. Maybe its bright, brisk pop-dance sensibility comes from Cathy Denis. Maybe its moreish chunkiness, the crunchy stomp of its beats, comes from Mud’s Rob Davis. Its obvious comparison point, as a mantric, obsessive disco song, is Donna Summer’s “I Feel Love”. But “I Feel Love” risks goofiness in placing a wager on the future – I bet this isn’t a novelty record – while there is no risk of “Can’t Get You Out Of My Head” being anything other than a classic. As Kylie Minogue knew, the second she heard the demo.

“Can’t Get You Out Of My Head” is still sleek and clean, impeccably designed, full of beautiful textures. If “I Feel Love” was a kiss blown to an imagined future, “Can’t Get You Out Of My Head” is an engineer’s fond response now that the imaginary has come true, more pragmatic but just as heartfelt. Moroder and Summer’s song was a jet pack. Dennis, Davis and Minogue’s is a map of flight plans. It’s a crystal of a record, an omnihedron revolving gently at the centre of pop, refracting and reflecting the 20th century’s music. In a context of Atomic Kitten, DJ Otzi and Blue, you might weep for joy on hearing it. It’s so well-arranged, so uncluttered, so satisfying. But the joy is partly one of familiarity. Ever since “Telstar”, people imagined 21st century pop would sound a bit like this. “Can’t Get You Out Of My Head” isn’t futuristic, it’s the fulfillment of a promised future.

8
Mar 16

DJ OTZI – “Hey Baby (Uhh, Ahh)”

Popular97 comments • 4,902 views

#909, 22nd September 2001

otzi So the cruddiest number one of 2001 lands at the top in a week when a lot of people were not caring about music. And certainly, spending £1.99 on “Hey Baby” is one of the more aggressive ways you could find to not care about music. The song is a mugging of a rather sweet #2 hit from 1962 by Bruce Channel: his “Hey Baby” was hayseed bubblegum, a bag of folksy candyfloss with a harmonica hook hot enough that people assumed the Beatles swiped his idea.

5
Mar 16

BOB THE BUILDER – “Mambo No. 5”

Popular32 comments • 2,156 views

#908, 15th September 2001

Mambo Bob The last time we met Bob, I made a tantalising suggestion that his “Mambo No.5” was the superior version. This theory does not survive contact with reality. Whatever the merits of this hymn to the tools of Bob’s trade, ultimately it’s still Neil Morrissey trying to swing over a Woolworths backing, and nobody really needs to hear that.

2
Mar 16

BLUE – “Too Close”

Popular73 comments • 2,749 views

#907, 8th September 2001

blue close The differences between Blue’s “Too Close” and Next’s “Too Close” don’t seem profound – four years, a few production gewgaws, a mild shift in context between male US R&B group and UK boyband – so why does the original make me smile and the cover make me wince? Might it just be that I don’t like Blue? Simon Cowell, who managed Five, had his fingers all over a pre-incarnation of Blue. But every boyband is pitched a little differently, however similar the origin stories. If Five were a cartoon attempt at the Spice Boys, Blue were All Saints’ younger brothers. A little cooler than the average boyband; a lot more knowing. They owed something to East 17 – the first British boyband to drop the niceties and sing about fucking – but they were a hell of a lot smoother and less awkwardly intriguing than Tony Mortimer’s mob.