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context: painting > great schools > kano

Kano Tan'yu 1602-74

Kano Tan'yu's pines at Nijo Hall

There can't have been many more successful painters in world history than Kano Tan'yu. Obviously being senior son in one of the most successful art dynasties ever is a strong start, and being in Edo in the 17th Century was astute too - there have been few better boom-towns for artists ever. Besides the colossal sums of spare money sloshing around, besides the aristocrats wanting to impress with their spending money, classiness and good taste, there was also a shogun who needed to send a message - 'I'm in charge, I'm staying, and I'm building.'

Tan'yu was appointed as what amounted to painter-in-residence to the shogun, and took charge of decorating one castle after another. His rewards included a large annual salary, and the bonuses included a mansion. But the broad expanses of gold on show in his work at the Nijo Hall weren't just about conspicuous consumption; one of the reasons this was popular in large houses was that the rooms were large and the windows small, so bright and reflective screens really helped the atmosphere.

backwards: Kano Eitoku