Posts from 27th April 2006

Apr 06

Rubbish Updated

Do You SeePost a comment • 521 views

How dare they take OUR rubbish kids cartoons and turn them into “hip and radical” rubbish cartoons of today. Here are just two examples coming up for Saturday morning US TV:

* 9:30-10:00 a.m. – LOONATICS UNLEASHED:
The six descendants of Bugs Bunny, Daffy Duck, Wile E. Coyote, the Road Runner, Tasmanian Devil and Lola Bunny continue to protect Acmetropolis from evil villains who have their own uncommon strengths. Throughout the second season, new characters descended from classic Looney Tunes characters like Yosemite Sam, Sylvester the Cat, Tweety Bird and Marvin the Martian make special appearances. Loonatics Unleashed is executive produced by Sander Schwartz and produced by Ron Myrick for Warner Bros.

* 10:00-10:30 a.m. SHAGGY & SCOOBY-DOO GET A CLUE: Ruh-roh! Everybody’s favorite quivering sleuths, Shaggy and Scooby-Doo, are back in a new adventure that will anchor the “Too Big For Your TV” programming block. In this comedy, also produced by Radomski, Shaggy and Scooby live in the bling’d-out mansion of Shaggy’s Uncle Albert, solving mysteries with the help of a transforming Mystery Machine which, at the click of a remote, can morph into one of a number of modes of transportation. New Scooby Snacks infused with a top-secret nano-technology allows our canine hero to fly, become a towering robot or even turn himself into a giant magnet, which comes in handy as Shaggy and Scooby-Doo carry out their new mission: protecting the Scooby Snacks and keeping them safe from those who want them for evil. Shaggy & Scooby-Doo Get A Clue! is executive produced by Sander Schwartz and Joseph Barbera.

Now I’m not saying that Scooby-Doo was ever really any good. But I certainly think that if I was going to “fix” the concept of Scooby, I wouldn’t make him able to fly and have a transforming Mystery Machine.

The Da Vinci Code Judgment Code

The Brown WedgePost a comment • 973 views

Now I ask you, would Judge John Deed do this? I wait with baited breath to find out what Justice Smith’s message is. I hope its something like – “You may not have plagarised, but you got to admit you’re a jammy bastard”.

I hope it sets a precedent too: in cases which are dismissed due to irregularities in the evidence, the judge could write a code such as the following:


Who’d bat an eyelid?

yes yes “one ring to rule us all” but what’s it ABOUT?

Do You SeePost a comment • 183 views

i. you can now (“now”) go out and buy versions of a film w.people talking right through it! when did we sign up for this brilliant development — if i have one full-on objection to the 19th-century model of art it is the “keep quiet and absorb what’s good for you” angle
ii. i do not believe that you turn primarily to the AUTHOR to disocver the meaning of the work (their job is in fact to PRODUCE the work; meaning for them no more than a pretext or quaint device to help them finish and shape it — and for us it arrives, evolves, takes root and blooms once we are persuaded we wish to start discussing it)
iii. films based on books have A MULTIPLE COLLECTIVITY OF AUTHORS by NO MEANS IN SYNC w.ONE ANOTHER: “Peter Jackson’s” LotR collective, notwithstanding executive decision auteur-shaped power at the top, numbers HUNDREDS if not THOUSANDS
iv. the thing that made me think abt all of this is the HEATED ARGUMENT that actors (and close friends) elijah wood and sean astin (ie frodo and sam, once they put their accents back on) have, during the commentary to the TWO TOWERS, abt the precise WAY in which LotR is anti-war, given the time of its making and etc etc. No need to claim either of their views are deeply worked through or logical: the point is, the finished (haha “finished”) object contains both, even if it’s only at the level of actorly body-language decisions responding to the polylogue of speeches and language-modes in the novel.
v. ok yeah so all this is so much hohum bahktinian (and/or brechtian) blah, except it’s happening anyway… it didn’t need knowledge of B&B to kick it off in the first place, and it doesn’t need citation of B&B to validate or curate or steer it.
vi. “And anyway is a traditional final rock criterion. Etc. So. So. So my whole summation does whatever iot does and does anyway too, but watch the anyway level.” R.Meltzer, Aesthetics of Rock, not TWO PAGES IN! (i never quite understood that bit TILL I WROTE THIS POST!)
vii. The LotR special extended DVD edition plays the entire 12-hour film, plus ditto w.four full-length commentaries from difft technical teams; plus 43 (!) documentaries about the design, making, storytelling etc; plus interactive maps and picture galleries — even if the “work” itself is the distilled commodity fetish form, which selected permutation of these remixes constitutes the “work” itself?
viii. i’d better stop here i think as per worried reader request