Posts from 14th August 2002

Aug 02

From today’s

FT + New York London Paris MunichPost a comment • 200 views

From today’s Times (thanks Magnus):

“According to the experts on The Times arts staff, there are now so many distinct types of music that different factions tend to do their own thing and ignore each other. The only way in which they can be analysed is in terms not of high theory or big new ideas, but introspective in-faction rivalry combined with a common, but ultimately futile, contempt for the bland but skilfully manufactured music (Pop Idol etc) that has dominated the charts since the mid-1990s. And that, in a nutshell, is an apt analogy for the Tories themselves and how they see new Labour.”


FT + New York London Paris MunichPost a comment • 232 views

Blogcritics has launched, promising the ‘best writers’ online talking about music and stuff. I didn’t recognise any of the names myself but that’s fine, right? An opportunity to find some good new online writers. The issues some people have with Blogcritics’ self-promoting style aren’t much of a problem for me – they’re not denying there are other critics out there, after all – but I think the format is a big own goal.

Why? Because the nice part – and the unique part – of reading criticism in a blog is that it comes from somebody you’ve got to know, via the rest of their writing. Even when the style is reviewer-formal the context is one of informality, a friendly recommendation or warning maybe. (Several of the reviews on Blogcritics seem to start from a sense that ‘critics’ – the professional kind – can’t be trusted to give you the straight deal like regular folks can.) So the reviews on, out of the context of their weblogs, lose that context – and to be frank they then lose any uniqueness a blog-based criticism site might have had. What we’ve got here is a series of consumer opinions – no different really from Amazon reader reviews or Epinions. I’m not sure how this problem could be solved (links back to the actual blogs?) but for the moment Blogcritics feels oddly anonymous.