Posts from 31st January 2002

Jan 02

A*Teens and Alice Cooper in year’s most unlikely collaboration

New York London Paris MunichPost a comment • 268 views

A*Teens and Alice Cooper in year’s most unlikely collaboration: Tom wants the rest of us to contribute more? Fine. I decided to view the NME website for the first time in months and saw this bizarre headline staring me in the face. My mind boggled as I read the article; what could this possibly sound like? Alice Cooper’s threatening-for-the-70s guitar-rock combined with shiny Abba-pop isn’t a concept I find easy to grasp. I wonder if the video will feature a sexily sadistic nurse chopping off the A*Teens’ heads with a guillotine while Cooper does a fully-choreographed dance number (complete with dancers and neat, jittery camera angles) in the background.

This Is My Truth

New York London Paris MunichPost a comment • 1,273 views

This Is My Truth: “Unless something hugely dramatic happens before February 1, 2002 the courts will declare that Richey [Edwards] is legally dead.” (from Mojo Magazine, February 2002)


I Hate MusicPost a comment • 529 views

“It was Alexander Pope who said “A little learning is a dangerous thing”, and never has this been more clear than in the release of The Chemical Brothers fourth Long Player. Electronica’s darlings, the dancesmiths its okay to rock out to appear to have stumbled out into the Post World War II twilight and are unsure of what mood to kow-tow to. Somehow the skippity sledgehammer beats do not instill the euphoria of those previous days and it is unlike that Frank Capra wil be using Tod and Em Chem’s newer disc to underpin his new feelgood feelbad movie Its A Wonderful Life.

Star Guitar is their answer to The Drugs Don’t Work, which someone somewhere said. But as an answer it should only be given an F, and perhaps post the great crash of 1929 the Chemicals don’t work either. Even getting an inspirational diva of the calibre of Beth Orton in can do nothing but suggest that this – much like The Basement Jaxx and The Daft Punks of this world are the same old same old. No-one’s buying dance music in the States and all you English people do not understand the pain of walking round the Lower East Side with only a pair of headphones for company.”

What all the reviews of this album are actually saying is, this is the only album which has been released this month so I’ve got to use all of my purple prose on it even though it is the dullest slice of turgid bollocks I have ever heard. But then they pay music journalists by the word…

More pubs than you think

Pumpkin PublogPost a comment • 1,120 views

More pubs than you think I was amazed to discover the number of pubs in my local area that I didn’t even know existed, let alone have visited. A sign on the pub wall last night listed all the pubs in the vicinity which were affiliated to the local “pubwatch” scheme – and I hadn’t heard of most of them. The Three Compasses? The Famous Pig & Whistle? The Wishing Well? Obviously more strenuous efforts are needed to be find out whether these places are any good.

In Defense of Ja Rule

New York London Paris Munich1 comment • 279 views

I like Ja Rule. Not a lot. But well enough. (Meaning I don’t switch the station when he comes on.) Everyone I know – from the predictable white guys who only listen to J5 or Can Ox to hardcore hiphop self-flagellates of any color or creed – hates the guy. With a passion bordering on irrationality. He is loathed by the underground for all the usual anti-bling bling reasons, the streets for selling out by making slicked up luvva-thug r&b. Nitsuh even called him his pop nemesis, baffling me when so many other deserving targets of fruitless aggression are clogging up pop’s pores. (#1 – Scott Stapp.)


Chemical Brothers: Come with Us: Pitchfork Review

New York London Paris MunichPost a comment • 357 views

Chemical Brothers: Come with Us: Pitchfork Review: “the quick reflexes and primal urges of a cheetah hunt”!!? What is it about the record that is doing this to reviewers?

Let’s text Sophie Ellis-Bextor

New York London Paris MunichPost a comment • 325 views

Let’s text Sophie Ellis-Bextor! “Can you fit your face inside a childs activity centre” is one I would certainly like her to answer.

Collapsing New Waves

New York London Paris MunichPost a comment • 335 views

Collapsing New Waves: I like the sound of synthesisers, so I like the sound of this art-snob Electroclash synth revival even though the best synthdisco record I’ve heard this year is also the oldest (Sugababes/GirlsOnTop/AdinaHoward/Numan, expect review when work backlog clears). This article’s a bit in love with itself, though – Fad Gadget may feel more relevant now than they have done for a good while but the dots here don’t join up. And the piece is rife with do-you-see? lyrical analysis – “he and his sweetie snog “in the shade of a rubber tree” — possibly grown from a seed, possibly made of old tires (or, perhaps, bearing the rubbers that catch one’s seed).” Clever stuff, no?