Popular Crystal Ball
Well, that was a year. It’s not what 2016 will be remembered for, but this was the year that streaming broke the charts – or fundamentally changed what they reflect. The structural impact is obvious – TEN records got to number one, meaning we’re back to the 50s as far as turnover goes. The aesthetic impact is more obscure – is the torpor I sense a function of a moody wave in current pop, or the sluggishness of the countdown, or my own elderly disengagement, or all of the above?
Best to worst, as usual. I liked very few of these very much, and even the higher placings don’t reflect much enthusiasm.
I must glumly report that my relationship with contemporary music seems to be broken. Not because I dislike it. The distillate of year-end lists I’ve been playing this week is full of wonders. But the part of me that knew where and how to find those things for myself has vanished. My desire to gatekeep went years before. And often once I do find new music, it’s like parts of a jigsaw where I’ve lost the box and half the pieces. What consequences this will ultimately have for Popular are uncertain. Still, the hits keep coming and they don’t stop coming, and some of them are better than others. Here are the records that reached Number 1 in the second half of 2015, arranged in order, from best to worst.
In order, best to worst. The usual caveats apply: don’t expect this to be much of a prediction of final verdicts when I eventually write about them! And obviously it’s a much shorter list than the last two – since the first two months, pretty much, were gobbled up by “Uptown Funk”. The number one position finally starting to match the sclerotic progress of the charts as a whole, then.
What did we get?
Back in July I had a quick listen and rate of the first half of 2014’s number ones. Here’s the sequel, picking up where that left off. As before, this is based on very few listens, and you can confidently expect my opinions and order to change should I ever get as far as this in Popular. Off we go.