8 Feb 2001
Charlemagne Palestine – Four Manifestations on Six Elements 1. Charlemagne Palestine approaches a piano like a climber approaches a mountain. He does not play the instrument so much as he lets it test him: he starts each performance like an ascent, knowing that somewhere ahead there are the limits of the piano, and also the […]
17 Nov 2003
I notice elsewhere, in my absence, some young scamp over on NYLPM has started a concept piece, some say think piece entitled the Alphabet Of Pop. Now no-one knows more than myself the beauty of lists, as my Week Of Wank and Breakfast Of Banality proves. Its cheap easy journalism and also gives one a […]
9 Jan 2004
Independence Day. Isn’t it marvellous? Hurrah hurrah let’s kill the stripper and those hippies! That’s the kind of morals I WANT from my films! Until the aliens bugger up by deciding just to kill EVERYBODY. Where’s the subtlety, the art, the je ne sais quoi indeed about that? Who cares when we have plucky heroes […]
1 Jan 2019
Hello and happy new year! It is I, Cameron Mackintosh, the world’s most powerful and most 80s theatre producer. Les Miserables, The Phantom of the Opera, CATS – I’m kind of a big deal guys!!!!! Thanks Cam! On the principle that every drunk idea at Pete’s flat is a good idea, today now presenting the […]
27 Mar 2014
#774, 20th September 1997 Every Popular entry starts with the same question: why this record? This time it’s especially loud. “Candle In The Wind ‘97” is the highest-selling single of all time in the UK, almost 2 million clear of its nearest competitor. This is as big as pop gets. But “why?” might strike you […]
4 Feb 2014
#757, 25th January 1997 In 1997, talking about music on the Internet means USENET, a Gormenghast of diverging and reconnecting fora whose goblin tribes gleefully rampage through each other’s chosen lairs: a thread will start on alt.music.prodigy, then careen into alt.music.spice-girls via alt.music.misc, while Discordians and trolls plot to spread it still further. Still, there […]
30 Dec 2005
#222, 20th August 1966 DIGRESSION: For Christmas I got Never Had It So Good, the first part of Dominic Sandbrook’s huge new history of Britain in the sixties. Here’s what he says about the project: “This book seeks to rescue ‘from the enormous condescencion of prosperity’…the lives of the kind of people who spent the […]
23 Mar 2014
#773, 13th September 1997 “Whenever we played that live there would be rows of grown men crying. It was almost like these guys couldn’t cry when they needed to cry, but that song operated like a pressure valve for them and it was okay for them to cry at a big rock concert.” – Richard […]
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