The FreakyTrigger 25 Best (London) Pubs of the 00′s : Intro
Lists, lists, lists. Its what we do around here, and the end of a decade gives us ample opportunity to look back with fondness over a decade. Music, films, television were all thrown in the mix, and may pop up. But most important to us is the social. From a site that is run by avowed Geezaesthetics, the pub is a sacred space, a space of learning and entertainment. And this colours the list too. And for me, my first blog was the Pumpkin Publog, which was rolled into FT five years ago. It is nice to get back to the pubs sometimes.
So firstly, before we go to far. These are not the 25 best pubs in London if you are a tourist. They are probably not the best if you live and work in London. Hell, some of these pubs no longer exist. But these are the pubs that the core of FreakyTrigger, and lots and lots of friends visited the most, and had the best times in. more »
Pete Baran in FT /Pumpkin Publog • 1 Comment
“Do They Know It’s Christmas” is significant in one way, and insignificant in another. First, it raised a lot of awareness and money and established the pop single as an excellent mechanism for doing those things. This was significant. Gargantuan “supergroups” like this fell out of favour but charity records will be a constant from here on. 
Michael Jackson came to the title “King of Pop” in the style of a medieval ruler, carving out his realm piece by piece across a hard year of campaigning. He won some of his new subjects when he performed this song as part of a Motown anniversary special: others when he formed common cause with Eddie Van Halen or Paul McCartney. His fiefdom suddenly extended across my school playground with the release of the “Thriller” video and its body popping zombies. Through it all the album and its spin-offs sold, and sold, and sold. “Billie Jean”, its Wikipedia page claims, has now topped 800,000 sales as a digital download, a format invented close to 20 years after its release. 
On one level the ‘plot’ of “Dreadlock Holiday” is hugely important to any judgement of it. On another, not at all, but let’s recap anyway. The narrator is a tourist in Jamaica – he gets mugged for his silver chain and returns to the comfort of his hotel where a woman tries to sell him weed.
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In my teens I read a science fiction novel with a startlingly elegant twist. (I won’t mention the book’s name in case you come across it yourself.) It was about a brilliant scientist who vanishes: the book’s protagonist goes looking for clues to what happened, and becomes close to the scientist’s wife. And at a crucial juncture in the plot, the narration shifts, mid-paragraph, from third person to first: the scientist’s “vanishing” was literal, and with a thrill of horror you realise he’s been observing the action all along.
I was aware of this song long before I heard it – as a young boy it was quoted at me by my Dad should I ever object to tidying my room. Since my room was rarely tidy, I became very familiar with the central notion of “No Charge”. Like my Dad, I can find immense amusement and pleasure in this style of song – talking country with a sentimental edge – but this is far from a great example.
There is something fascinating about the differences in the generic. If the point of global fast food brands is a comforting familiarity, it is the surprising differences which can sometimes make them even more interesting*. The nature of franchising may mean standardised menus, but it can also allow wiggle room for quirks of decor, and style. However it is the deviation from the standard menus which often intrigue me. Now I am not going to get all Royale With Cheese on your arse (ass?) but every now and then the new products which may never turn up in the UK give pause for though. And even over here I am sure there are burgers which rock up in MacDonald’s which might intrigue someone from the heartland.