More comics reviews from goodreads.com
One of the nice things about the current rise of Image is the leeway it gives creators to do passion projects, in this case a pair of historical crime thrillers which stand or fall on how indulgently evocative they are of places long-established in other fictions. So The Fade Out is story set in the dream factory of 40s Hollywood, where fine movies are made by people of integrity who spend their time being nice to each other. ONLY JOKING! There’s a dead starlet pretty much on page one and after that it’s four issues of noir bingo, lovingly executed by the purring collaborative engine of Brubaker and Phillips.
ASSASSINATION CLASSROOM, Vol.1 (Viz Media)
This first volume unfussily sets up the hit manga’s premise – an octopus being has destroyed the moon, then become a teacher of a remedial High School class: his pupils have a year to kill him before he destroys the Earth too. He’s teaching them to do it. There’s high concept, and then there’s Assassination Classroom. Mangaka Yuusei Matsui, sensibly enough, introduces the idea quickly and with a straight face, before getting down to showing us how the manga will actually work. It turns out Assassination Classroom is an affable, low-key kind of a comic. Koro Sensei – our tentacular antagonist – is a pretty likeable fellow, but then so are the kids trying to kill him. The introduction of Karma, a particularly devious student, ups the stakes, and tilts the volume towards being a psychological duel a la Death Note… but then he turns out to be a nice chap too. The problem, bizarrely, is that this manga about murder, teen emotion and the destruction of the Earth feels oddly low-stakes so far. It’s crisply done, though, and Matsui is obviously growing into his ideas, so worth a look to see how things develop. (3.5 stars)
Kieron Gillen, Ryan Kelly and Jordie Bellaire’s THREE is a political comic on every level. The level on which it got most of its publicity was a right-to-reply in a conversation conducted between comics – Three is an a riposte to Frank Miller’s Thermopylae epic 300, almost an unauthorised sequel. Stressing this may have enhanced its impact – comics fans like sequels – but might also have held it back, downplaying the extent to which Three works for someone (like me) who has never actually read 300, and how much further it goes than the simple “your fave is problematic” style callout its early press positioned it as.