Before we get to the final rankings for our six decades, which I’ll be posting in the next couple of days or so, here are the final totals for each round.
Round One: The Number 10s.
246 points, average score 4.82: Kelis – Acapella (2010)
“Great to have her back- a pop star with character seems a bit of a novelty these days” – crag
231 points, average score 4.53: The Undertones – My Perfect Cousin (1980)
“I have a massive soft spot for some of the more absurd rhyming couplets” – jeff w
173 points, average score 3.39: MJ Cole – Crazy Love (2000)
“I am transported via teleportation to a wine bar!!!” – JonnyB
171 points, average score 3.35: The Family Stand – Ghetto Heaven (1990)
“The remix has retained its power via the potent combo of orchestral and vocal grace with street beats” – Steve Mannion
139 points, average score 2.73: The Move – Brontosaurus (1970)
“You can tell the “progression” here is slightly forced” – punctum
111 points, average score 2.18: Steve Lawrence – Footsteps (1960)
“Steve sounds chipper enough but I wouldn’t want those backing singers following me around all day” – pink champale
A strong opening selection made this one of our most well-regarded rounds, quality-wise. It was also our most popular round, attracting 51 sets of votes. Kelis provided 2010 with an early lead, with only The Undertones giving her any cause for concern. “My Perfect Cousin” aside, the rest of the votes in Round One stacked up in exact reverse chronological order, suggesting that maybe – just maybe – pop music has been steadily improving over the past fifty years? It was a nice thought while it lasted.
Mike Atkinson in Which Decade Is Tops For Pops • 15 Comments
Finally, the moment of ABSOLUTE POP TRUTH is upon us! And my goodness, what a nail-biter of a contest this has been. Halfway through the voting, two decades broke decisively ahead of the pack, establishing a lead that proved impossible to catch up with. Although one of them looked to have the edge, its rival chased it hard, making up crucial lost ground in the closing stages and ensuring a RIVETING PHOTO-FINISH. Oh yes.
Meanwhile, the bottom four decades enjoyed a right old ding-dong, jostling each other furiously and never bowing out of the fight. The gap between the lower four was every bit as close as the gap between the upper two, making this year’s “Which Decade” our CLOSEST! CONTEST! EVER!
Shall we proceed? Yes, perhaps we should. Lord knows, you’ve waited long enough.
NOTE: For extra at-a-glance clarity, I have designated the 20 top scoring records as HITS, the middle 20 as MAYBES, and the 20 lowest as MISSES.
Sixth place: The Seventies.
Cumulative average score: 32.31 points.
Share of the vote: 15.39%
Norman Greenbaum – Spirit In The Sky. 4.84 points, first place.
Christie – Yellow River. 4.12 points, 2nd place.
Creedence Clearwater Revival – Travellin’ Band. 3.68 points, 3rd place.
The Moody Blues – Question. 3.41 points, joint 3rd place.
Dana – All Kinds Of Everything. 2.92 points, joint last place.
The Hollies – I Can’t Tell The Bottom From The Top. 2.90 points, 4th place.
Frijid Pink – House Of The Rising Sun. 2.80 points, 4th place.
The Move – Brontosaurus. 2.73 points, 5th place.
Tom Jones – Daughter Of Darkness. 2.70 points, last place.
England World Cup Squad – Back Home. 2.21 points, last place.
Mike Atkinson in Which Decade Is Tops For Pops • 13 Comments