(People don’t use “sire” in that context much anymore. Actually, I guess they don’t use the word sire in any context that much any more.)
Why? Well in two Sean Bean films in one month, he has a daughter, said daughter gets mixed up in some supernatural shenanigans which you as wife go to sort out, only to find in the last reel twist that you are actually DEAD ALREADY.
Silent Hill is pretty ropey, as we have come to expect from computer to film adaptations. It is a pity because at the heart of it is quite a spooky little picture. But twists to manipulate Radha Mitchell and daughter into Silent Hill in the first place, and the tedium of the explanation of what is actually going on distract from interesting graphic design and a decently spooky air. It is also a good half an hour too long and Sean Bean does some ridiculous Yorkshire / American accent which was misguided from the off.
The Dark is a better film, if only for its brevity and its acceptance that
a) An American woman can marry an Englishman
b) He might go and live in Wales
as being plausible plot points. Indeed there are so many superficial similarities between The Dark and Silent Hill that surely Sean and/or his agent might have noticed and thought doing both could be a bad idea. Enough with the spooky possessed children already anyway. At least The Dark has murderous sheep.