1 Jan 2019
Hello and happy new year! It is I, Cameron Mackintosh, the world’s most powerful and most 80s theatre producer. Les Miserables, The Phantom of the Opera, CATS – I’m kind of a big deal guys!!!!! Thanks Cam! On the principle that every drunk idea at Pete’s flat is a good idea, today now presenting the […]
21 Dec 2009
Well, that’s that: the machine has been given a good beating and we can look forward to “Bulls On Parade” on the festive Argos ad next year. I will admit I didn’t think the RATM crew could do it: I was wrong. But as the dust settles on this most fractious and increasingly entertaining Christmas […]
23 Apr 2000
My first encounter with the exotic was on the Magic Mill at Thorpe Park, a South-East England theme park which from appearances had originally been based around a cramped zoo or city-farm set-up. At some point in the late 70s it had seemingly panicked, though, and parked itself up in order to survive. With its […]
5 Jul 2013
#725, 26th August 1995 BOXING? A “heavyweight battle”, the NME cover-billed it. And if “Country House” vs Oasis’ “Roll With It” was a title bout, the music press were desperate to play Frank Warren. Perhaps they had most at stake. It was, in a way, their last great fight. Many other moments define Oasis. Blur […]
4 Sep 2009
#543, 15th December 1984, video “Do They Know It’s Christmas” is significant in one way, and insignificant in another. First, it raised a lot of awareness and money and established the pop single as an excellent mechanism for doing those things. This was significant. Gargantuan “supergroups” like this fell out of favour but charity records […]
15 Sep 2013
Ten years ago tomorrow, I started writing a review of Al Martino’s “Here In My Heart”. I’d never heard the first UK Number One, and thanks to P2P networks I had the chance. Somewhere between starting the blog entry and finishing it, I thought of reviewing all of them. I had no idea how long […]
26 Apr 1999
The mode of the music changes, the city quakes, or at least those blocks of primer-than-thou office space quake that house the HQs of worldwide record companies. The reason, apparently, is MP3 technology, which you all know about and most of you use, and which has been the subject of acres of ruminative, pessimistic music […]
1 Jan 2003
This article was the author’s working notes for his since published book “Adorno: A guide for the perplexed”, available from Waterstones, reputable booksellers, and Amazon Introduction, by Alex Thomson In many ways Adorno exemplifies the image problem faced by critical theory today. Adorno is not a sexy figure. He comes over in his writing as […]