“You’re Not Alone” walks a line between the mind-expanding and the tediously polite, a nexus point for a handful of mid-90s trends and ideas. There’s trip-hop in the mildly skippy beats, or at least what was left of trip-hop after all the scuzzy, stoned, party-friendly elements had been siphoned off elsewhere. There’s the well-groomed soul of the Lighthouse Family in the songwriting – particularly the drab verses: when I started my business career, the Lighthouse Family had already become the conference call and lobby music of choice, and they were more than fit for purpose. And there’s Everything But The Girl’s “Missing”, too, a dance track whose yearning, thoughtful tone had earned it plenty of post-club usage. As the rave generation settled into their mid-20s and beyond, the music of the chill out room found its way out of the club and into the home.
Olive – whose main songwriter Tim Kellett had even worked for the Lighthouse Family – feel part of this rather tepid moment, but there’s a little more happening here. Mood music shares DNA with new age, and as such it’s easy for a group to take a step or two towards the mystical. Olive’s shifting, echoed chords and promise to “stay till the end of time” are as spooky as they are soothing, and the multi-tracked keening at the end is an eerie moment, making the title a warning as much as a reassurance. But the song, in the end, is too slight to make much of its haunting elements: its sense of the uncanny proves a wisp, something easily forgotten in the cold light of, well, whatever you listen to next.