Jan 14

SPICE GIRLS – “Wannabe”

Popular224 comments • 16,725 views

#743, 27th July 1996

WannabeWhat they had going for them, at the start, was instinct. The label – and manager – wanted a more street-smart first single: the group insisted otherwise. The band came up with the pell-mell structure of “Wannabe”, the tumble into rap at the end, and a nonsense-word that turned out to be a rocket-fuel hook. Every choice the right one.

But that first foot-down moment is the most important. The record label saw launching the Spice Girls as launching a band – something everyone involved (except the 5 women in the group) had done tens of times before. The group saw launching the Spice Girls as launching an idea, potentially far more powerful. And far more lucrative, of course. For that, the first single had to be a manifesto.

The more fans “Girl Power” reached, the more money it might make, and the more lives it might change – but this is true, in potential at least, of any music. What’s undeniable is that the combination of slogans and success guaranteed the band astonishing scrutiny – even among those who dismissed them, the Spice Girls were taken seriously in a way no pop band had been for years. People wanted ammo (there was plenty to find.) Picking apart the consequences and contradictions of the Spice brand became a critical cottage industry. Here I am, a 40-year-old man, and I’ve been lured aside by it in paragraph three.

Like most rock critics, I’m not a girl, and I don’t need any more power. Don’t trust me on this stuff. But it seems to me that “Girl Power” was about surviving – with a degree of independence and pride and fun – in the world as it was. It was never a Utopian project (like punk or sometimes rave) but it wasn’t purely an aesthetic one either (like Britpop). It was closer, perhaps, to Mod – celebrating economic strength, friendship and style in a world out to reduce you. It was grilled relentlessly, of course, because the marketing of it was so flagrant and successful and because the intended audience were small girls.

Was “Girl Power” an attempt at pop and personal transformation or a cynical plan to sell a remarkable amount of dolls? Both, obviously. We live in a world where women get to be the protagonists of adverts far more than of stories: the default way popular culture lets you reach a truly mass female audience is by selling to them. Once the Spice machine got going, there was plenty to sell. But to imagine that the Spice Girls – or any star since – must have unsullied motivation to have positive impact would be to imagine that young girls are a) uncritical idiots and b) not already used to constantly negotiating a world in which every pleasure or statement of independence is someone else’s weapon against them.

In the end we can only listen to the record, and see whether it hits its goal. Which was – simply – to refresh British pop music. Whatever happened next, does “Wannabe” sound and feel different enough to back up any claim it might make for itself? Absolutely, yes.

Generally speaking, the slicker the Spice Girls got, the less compelling they got. On “Wannabe” they are far from slick – they have a ragged chemistry, an obvious hunger and a song that’s a pile-up of hooks. They make nods in the direction of professional propriety – moving their best voices (Mels B and C) to the front and relegating their worst to a hollered “Slam, slam, slam, slam!”. They also have a production team tying the song together with a knees-up piano riff which adds Madness to the list of Spicecestors. They have the one-take video, which is inspired – it cements the idea that all this is somehow spontaneous, and also that this is an origin story.

Which it is – one of the most assured origins in pop culture, the strongest intro to a group since Fantastic Four #1. The actual work of character-building doesn’t happen much in “Wannabe” – or anywhere else in record – being mostly a marketing and branding thing and not always very helpful for what’s on record. Here the solo introductions are kept to a garbled one liner in Mel and Geri’s rap – the thrust of the song is its theme: power through friendship and fun.

So “Wannabe” starts with call-and-response – a riddle which seems annoyingly like a tease. What’s a “zig-a-zig-ahh?” – the point is that you only know if you’re one of the gang, and the rest of the song is laying that out: prove you’re part of the friendship circle, and maybe we’ll let you in on it. But you won’t find out just by asking. There’s a lot of other lines in the song you might take and hold on to as yours – “If you want my future, forget my past” – but the core of it really is as simple as ‘friendship never ends’.

There’s a few reasons why they pull it off. It’s urgently effervescent – under three minutes, from the opening footsteps and laughter to the final echoed “lover”, and the economy makes it a peep at a world you want to spend more time in. Great pop songs about friendship – girls’ friendships in particular – are rare enough that making a fuss of it helped “Wannabe” stand out. The group re-discovered the bubblegum tweenager audience – I think Britpop helped the Spice Girls enormously, by giving the impression of a world of celebratory, hooks-first pop then veering rockwards just as the next generation of fans wanted to play.

But most of all “Wannabe” convinced because the Spice Girls honestly sounded like friends. A group that’s cool is useful in pop, but what’s even rarer and more effective is when a group feels like they’re having more fun than anyone else in the world. What British pop bands from the Beatles to One Direction have realised is that you win the opportunity to transcend your moment by camaraderie as much if not more than by breaking ground. Innovation can be owned – and that way lies splits, lawyers and footnotes. Cameraderie belongs by nature to the group, is harder to fake and a lot more difficult to copy. The Spice Girls, at first, knew that better than anyone.



1 6 7 8 All
  1. 212
    Hofmeister Bear on 16 Dec 2014 #

    Irritating then – mediocre now! Little surprise then that it should become a rallying point for the poptimists. The era of Kula Shaker, Cast and The Seahorses may well have pointed to a desperately needed counter to this critical mass of backlogged shit, but ‘Wannabe’ wasn’t the answer that’s for sure.

  2. 213
    enitharmon on 1 Sep 2015 #

    Now – where are we going to mark the passing of the singer with the phenomenally successful girl band who married the England football captain?

    Here’s as good as anywhere. Farewell Joy Beverley (Jocelyn Chinery). If you never had a number one it wasn’t for want of trying.

  3. 214
    Girl with Curious Hair on 21 Mar 2016 #

    I was 5 years old when this song came out, and for what it’s worth I think you do a very good job (especially for a 40-year-old man) of articulating what was great about this song, and about the Spice Girls themselves. They were the cool older kids who didn’t seem to mind you hanging around with them.

    As I’m concerned (this is a general observation by the way, not a complaint!), the questions of whether Girl Power was a movement or a marketing spiel are kind-of beside the point. It’s no more relevant to me than the Beatles wearing suits or the Sex Pistols making videos. It doesn’t change what they meant.

    (In a funny way, though, it’s not easy for me to articulate what they did mean; I have no real memory of the world before them…)

    As an aside: English isn’t my native language. I spent way, way too much of my life thinking that “zigga-ziggah” was an actual English word…

  4. 215
    Cumbrian on 16 Nov 2018 #

    OK, here’s a question: was this band meant to be called Spice?

    Up there on the picture of the single cover, the word “Girls” is nowhere to be seen, yet by the time Say You’ll Be There is released, the name of the act is definitely Spice Girls. I have a hypothesis that the band actually was meant to be called Spice – but everyone kept introducing them as “the Spice girls” – i.e. here are the girls from the band called Spice – and someone at the record company thought “hmm, that has a better ring to it than Spice” but can’t find anything that corroborates this. I turn to you (ha!) Popular universe, for potential answers.

  5. 216
    Mark G on 18 Nov 2018 #

    The back of the sleeve has “Spice” on a gold ring, with “Girls” inside the ring.

    The front of the sleeve marries the front of the first album “Spice”.

    And, of course, the records/cd of the single has “girls”

  6. 217
    flahr on 18 Nov 2018 #

    It is true that the band were called Spice before they were called Spice Girls. The change occurred before any music was released.

  7. 218
    Cumbrian on 19 Nov 2018 #

    Cheers both.

    Not having the single, I wasn’t aware of the additional detail on it. The album does have the word “girls” helpfully emblazoned on the front, mind. Though I guess it was released after this single and, given the additional detail on the single Mark G points out, I’m now half supposing that the front sleeve for Wannabe might be someone sending some unfinished copy off to print.

  8. 219

    […] that good of a song? (Tom Ewing, whose Popular listing of all the UK number ones is a must-read, disagrees, however.) Now, “Say You’ll Be There,” that’s much better. Can we get […]

  9. 220

    […] that good of a song? (Tom Ewing, whose Popular listing of all the UK number ones is a must-read, disagrees, however.) Now, “Say You’ll Be There,” that’s much better. Can we get […]

  10. 221
    Gareth Parker on 2 Jun 2021 #

    Sorry I just find this incredibly irritating. 1/10.

  11. 222
    DaveW on 8 Jul 2021 #

    Tom’s post has been quoted in this article on the BBC website to celebrate the song’s 25th (!) anniversary: The Spice Girls at 25: Here’s the story from A to Z https://www.bbc.co.uk/news/entertainment-arts-57734073

  12. 223
    Mr Tinkertrain on 11 Feb 2022 #

    I was only just getting into pop music when this came out, but even without the frame of reference I could tell this was the kind of pop sensation that didn’t come along often. You’d have a strong case for saying the Spice Girls were the only group (other than the Beatles) where all the members were equally, hugely famous. All the girls at school were dressing up as the group, all the boys were debating which one they fancied the most – hell, even my grandparents had heard of them.

    The song itself is fine, if basic. I was young enough to enjoy it at the time (if I’d been a teenager, I’d probably have dismissed it out of hand), but don’t like it quite so much now. Hard to fault the energy, catchiness and memorable lyrics though. 6 from me.

    Other chart highlights: I’d go to bat for Kula Shaker’s Hey Dude (mentioned above); that’s an 8. But the song that summer which had the biggest impact on me was Suede’s Trash (absolutely a 10) which blew me away the first time I heard it and helped to send me down an indie-dominated direction.

  13. 224
    Rigmarole on 22 Feb 2022 #

    Very resonant with all girls in my friendship group (b. 1990-1991) – every time I hear this song (usually between 12 and 1am on a Friday or Saturday night), they will appear next to me wherever I am and go ballistic on the dancefloor.

    I used hate it unreasonably, as only a child could. Catchy, but I can never like it.

1 6 7 8 All

Add your comment

(Register to guarantee your comments don't get marked as spam.)

If this was number 1 when you were born paste [stork-boy] or [stork-girl] into the start of your comment :)


Required (Your email address will not be published)

Top of page