After a run of mostly charmless number ones, it’s easy to rate this record: its vigour; its momentum; its status as a memento of good times people were having not as a marker in an album sales plan; its simple reminder that away from the charts the story of rave was still playing joyfully out. “Let Me Be Your Fantasy” was two years old – something people were sniffy about at the time – but history has a habit of squeezing such gaps. It now seems to have the stuff of life about it in a way little else in the 1994 list does.
Baby D were one of several groups on hardcore label Production House, which like many labels conjured new acts as whim and contingency required: its in-house producers would branch off, team up, hook up with vocalists, and lo, a band was born. Floyd Dyce – great name! – the writer and producer for Baby D, has a tremendous resume, with writing credits on close to a hundred tracks, including early-90s wonders like Acen’s “Trip II The Moon” and the House Crew’s “Euphoria (Nino’s Dream)”, songs that bumped around at the lower end of the charts selling a ton in all the wrong shops.
If you know those tracks, you’ll know the broad Production House outlook – uplifting, always ready to drop in a big hook, keeping the rushy spirit of UK house alive. “Let Me Be Your Fantasy” is in the same tradition, but more carefully streamlined and chart-ready. Old it may have been, but it’s also a fantastic bridge between the breakbeat-driven rave hits of 1992 and the hands-in-air, heart-on-sleeve pop house of mid-decade. Its breakbeat undercarriage gives “Let Me Be” a rough, robust chunkiness which plays well off Baby D’s powerful vocals. What she’s singing is the usual mash of ravey trigger phrases – feel the energy, I’ll take you up, fly away – sewn together with enough conviction that it feels like a song not a collage.
Like a lot of dance producers, Dyce seems a restless, tinkering sort, and he’s re-released this track repeatedly since 1994 – when it was already a hydra of versions and mixes. But then he had a strong core to build around. I wish there had been more hardcore and rave songs at number one, but if this record has to stand in for most of its genre it can do the job with pride.