With The Immaculate Collection, Madonna was able to remix and edit her history as well as her songs, jumping triumphantly from the True Blue singles to the Like A Prayer ones, from superstar consolidation to next-level persona building. She took the opportunity to erase her 1987, a messy year creatively as well as personally as the string of underdone singles from the Who’s That Girl soundtrack showed. The title track is better than the clattering, SAW-ish “Causing A Commotion” or diffuse ballad “The Look Of Love”, but this is still a barely engaged Madonna. It’s only on the “light up my life” bridge that she seems at all bothered, and there’s no real emotional connection between that and the rest of the song – the whole thing is marking time. Since I like ‘latin Madonna’ I think it marks time very pleasantly, but we’re still in the departure lounge of San Pedro airport here, waiting resignedly for something to happen.