<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	>
<channel>
	<title>Comments on: BUDDY HOLLY &#8216; &#8216;It Doesn&#8217;t Matter Anymore&#8217;</title>
	<atom:link href="http://freakytrigger.co.uk/popular/2004/03/buddy-holly-it-doesnt-matter-anymore/feed/" rel="self" type="application/rss+xml" />
	<link>http://freakytrigger.co.uk/popular/2004/03/buddy-holly-it-doesnt-matter-anymore/</link>
	<description>Lollards in the high church of low culture</description>
	<pubDate>Thu, 08 Jan 2009 02:44:46 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.6.5</generator>
		<item>
		<title>By: Marcello Carlin</title>
		<link>http://freakytrigger.co.uk/popular/2004/03/buddy-holly-it-doesnt-matter-anymore/#comment-392150</link>
		<dc:creator>Marcello Carlin</dc:creator>
		<pubDate>Wed, 05 Mar 2008 10:29:00 +0000</pubDate>
		<guid isPermaLink="false">http://freakytrigger.co.uk/popular/2004/03/buddy-holly-it-doesnt-matter-anymore/#comment-392150</guid>
		<description>I remember the first time I heard Holly's "Love Is Strange" and thought what the hell is that synthesiser/mellotron doing in there in 1958?  Then I learned that Norman Petty overdubbed them in '68 and that took away a bit of the magic.  Still a remarkable record, though, his "Love Is Strange"; it sounds like Joy Division's "Atmosphere."

If Anka had done this himself then no doubt there would have been references to "I'm the only important one in this relationship," "Where's Joe?" &#038;c.</description>
		<content:encoded><![CDATA[<p>I remember the first time I heard Holly&#8217;s &#8220;Love Is Strange&#8221; and thought what the hell is that synthesiser/mellotron doing in there in 1958?  Then I learned that Norman Petty overdubbed them in &#8216;68 and that took away a bit of the magic.  Still a remarkable record, though, his &#8220;Love Is Strange&#8221;; it sounds like Joy Division&#8217;s &#8220;Atmosphere.&#8221;</p>
<p>If Anka had done this himself then no doubt there would have been references to &#8220;I&#8217;m the only important one in this relationship,&#8221; &#8220;Where&#8217;s Joe?&#8221; &#038;c.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: tim davidge</title>
		<link>http://freakytrigger.co.uk/popular/2004/03/buddy-holly-it-doesnt-matter-anymore/#comment-391994</link>
		<dc:creator>tim davidge</dc:creator>
		<pubDate>Wed, 05 Mar 2008 00:15:04 +0000</pubDate>
		<guid isPermaLink="false">http://freakytrigger.co.uk/popular/2004/03/buddy-holly-it-doesnt-matter-anymore/#comment-391994</guid>
		<description>A Paul Anka composition, this, and not only rather better than a lot of Anka's own records-which crossed the boundary into mawkishness-but also rather better than a lot of the records it inspired. The pizzicato strings which sparked off a trend in popular music arrangements on both sides of the Atlantic also featured on a couple of other Holly tracks, Raining In My Heart and Moondreams, while another from the same session in late '58, True Love Ways, had a more conventional string arrangement. It Doesn't Matter Anymore is probably the best, well-recorded and in true stereo (unlike the others, and not the norm in 1958) and in spite of the full-blown orchestral arrangement thoroughly modern. It would be hard to imagine this record in '55 or '56, and it (among others) places Holly as a sort of prototype for the 1960s, with his openness to experimentation and new ideas, rather than just a fifties archetype.</description>
		<content:encoded><![CDATA[<p>A Paul Anka composition, this, and not only rather better than a lot of Anka&#8217;s own records-which crossed the boundary into mawkishness-but also rather better than a lot of the records it inspired. The pizzicato strings which sparked off a trend in popular music arrangements on both sides of the Atlantic also featured on a couple of other Holly tracks, Raining In My Heart and Moondreams, while another from the same session in late &#8216;58, True Love Ways, had a more conventional string arrangement. It Doesn&#8217;t Matter Anymore is probably the best, well-recorded and in true stereo (unlike the others, and not the norm in 1958) and in spite of the full-blown orchestral arrangement thoroughly modern. It would be hard to imagine this record in &#8216;55 or &#8216;56, and it (among others) places Holly as a sort of prototype for the 1960s, with his openness to experimentation and new ideas, rather than just a fifties archetype.</p>
]]></content:encoded>
	</item>
</channel>
</rss>
