<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	>
<channel>
	<title>Comments on: JOHNNIE RAY - &#8220;Yes Tonight Josephine&#8221;</title>
	<atom:link href="http://freakytrigger.co.uk/popular/2003/11/johnnie-ray-yes-tonight-josephine/feed/" rel="self" type="application/rss+xml" />
	<link>http://freakytrigger.co.uk/popular/2003/11/johnnie-ray-yes-tonight-josephine/</link>
	<description>Lollards in the high church of low culture</description>
	<pubDate>Thu, 08 Jan 2009 02:34:18 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.6.5</generator>
		<item>
		<title>By: wichita lineman</title>
		<link>http://freakytrigger.co.uk/popular/2003/11/johnnie-ray-yes-tonight-josephine/#comment-461529</link>
		<dc:creator>wichita lineman</dc:creator>
		<pubDate>Mon, 21 Jul 2008 10:23:39 +0000</pubDate>
		<guid isPermaLink="false">http://freakytrigger.co.uk/popular/2003/11/johnnie-ray-yes-tonight-josephine/#comment-461529</guid>
		<description>Monumentally silly and catchy as hell. I love this, it condenses the corn and melodic joy of Guy Mitchell's hits and throws them into a nascent rock arrangement. Quite audibly, you can hear the camp and sass that Elvis drew from Johnnie.

I know Tom's take is how the music stands up in the 21st century, without contemporary context. But I've often wondered how audiences - allegedly the first teen screamers - reacted to Ray's stage act, so I bought, for research purposes, his 1954 Live At The London Palladium album. The answer? They ooh and aah and gasp as if they were watching a saucy circus act, sex presumably being rather new in Britain seeing as it wasn't officially invented until 1963. 

And, finally, they scream for Such A Night, which he reprises, and reprises again, like James Brown throwing off the cape. And he does this until you can hear girls shout "Johnnie!!" At which point, modern Pop begins.</description>
		<content:encoded><![CDATA[<p>Monumentally silly and catchy as hell. I love this, it condenses the corn and melodic joy of Guy Mitchell&#8217;s hits and throws them into a nascent rock arrangement. Quite audibly, you can hear the camp and sass that Elvis drew from Johnnie.</p>
<p>I know Tom&#8217;s take is how the music stands up in the 21st century, without contemporary context. But I&#8217;ve often wondered how audiences - allegedly the first teen screamers - reacted to Ray&#8217;s stage act, so I bought, for research purposes, his 1954 Live At The London Palladium album. The answer? They ooh and aah and gasp as if they were watching a saucy circus act, sex presumably being rather new in Britain seeing as it wasn&#8217;t officially invented until 1963. </p>
<p>And, finally, they scream for Such A Night, which he reprises, and reprises again, like James Brown throwing off the cape. And he does this until you can hear girls shout &#8220;Johnnie!!&#8221; At which point, modern Pop begins.</p>
]]></content:encoded>
	</item>
</channel>
</rss>
