23 Aug 2005
One of the happy upshots of the Bosman Ruling which we have been living with for almost ten years, is the effect it has on players prices near the end of their contract. Take Clinton Morrison (Birmingham wish someone would) the Republic of Ireland striker. Bought for a club record of £4.25 million three years […]
26 Apr 1999
The mode of the music changes, the city quakes, or at least those blocks of primer-than-thou office space quake that house the HQs of worldwide record companies. The reason, apparently, is MP3 technology, which you all know about and most of you use, and which has been the subject of acres of ruminative, pessimistic music […]
5 Jul 2013
#725, 26th August 1995 BOXING? A “heavyweight battle”, the NME cover-billed it. And if “Country House” vs Oasis’ “Roll With It” was a title bout, the music press were desperate to play Frank Warren. Perhaps they had most at stake. It was, in a way, their last great fight. Many other moments define Oasis. Blur […]
30 Apr 2000
April 2000, Piccadilly The sun comes out over London and the Summer starts: everywhere you look you see people in love, snogging on the tubes and holding hands on the escalators so you can’t get past them. Baggy shorts and halter tops all over the place, kids sitting together on Eros and choking on the […]
15 Dec 2009
One of the things that’s fascinating about the UK Top 40 is that a device designed to be a pure expression of popularity also works as a reflection of so many other things. People buy songs: if enough people buy a song it gets into the charts, or to #1. Simple! But so simple that […]
12 Mar 2010
People in the Popular comments boxes are talking about “the canon”. I’m always quite curious as to which bits of the canon have ‘taken’ with a broadly pop-positive audience such as we have here. So here’s a poll, very easy to fill in, just say which of the Top 50 albums OF ALL TIME EVER […]
20 Jul 2007
I semi-remember just two lines from the NME’s (Charlie Shaar Murray’s?) review of “Armed Forces” (secret unused title “Emotional Fascism”). One was that one of the other songs resembled ELP “jamming in the bottom of an oil drum”! The other — more germane to this post, as well as being true — is that “with […]
26 Jan 2004
“Black Man Ray” is Ray Charles, who China Crisis apparently believe in. Now Ray Charles’ blackness is not a secret, so why did China Crisis see fit to remind us of it on their incomprehensibly awful single? My theories: i) They were talking about the photographer Man Ray, and asserting that he was black. Which […]
