17
Jun 18
Pop World Cup 2018: Group A Match 1
It’s here! The opening game of the Pop World Cup finds the four teams of Group A raising the curtain on the tournament. Pop football veterans Russia and Uruguay meet two Arab states – Egypt and Saudi Arabia – with less of a record at this level. Who will prevail? You decide. Spotify playlist and YouTube links below the cut with the team talks – go listen and vote for your favourite TWO tracks.
Pop World Cup 2018 Group A Match 1: Pick TWO tracks
- SAUDI ARABIA: Majed Al Esa 72%
- RUSSIA: Oligarkh 46%
- URUGUAY: Luciano Supervielle 44%
- EGYPT: Moustafa Elshoaiby 25%
Total Voters: 57
Poll closes: 24 Jun 2018 @ 11:00
Loading ...
RUSSIA (Manager: Sarah): Oligarkh – “Rechka”
“We meean it, maan! Eastern orthodoxy meets the banger with our serious-faced young squad chomping at the bit to take Group A to church. The Russian manager has been delving deeply into the Russian charts with super interest to see: what influences and differences are arise in the Russian charts (or is it just Calvin Harris stomping on your face forever?) Is there such a thing as a concept of a distinctly Russian feel or identity in pop which isn’t a/ stereotyping b/ horribly nationalistic? Oligarkh have a go with prayer chants, orthodox church bells and traditional music samples (if anyone has the SOURCE material for the sample in Rechka, let me know!) which is definitely an interesting place for our team to kick off in the PWC!”
SAUDI ARABIA (Manager: Tom): Majed Al Esa – “Hwages”
“For the avoidance of doubt and the establishment of harmony in the Saudi camp, the management would like to note that reports of talented midfielder Majed Al Esa’s criticism of the regime are based on pure misunderstanding, that the nimble strikeforce this playmaker has assembled are certainly not chanting “Men should be extinct”, and that any resemblance of a character in the video to a certain prominent friend of Saudi Arabia is purely coincidental. Thankyou and enjoy the game.”
EGYPT (Manager: Kat): Moustafa Elshoaby – “Ya Qloub”
“The Egyptian management is proud to present its starting line up! Moustafa Elshoaby takes us smoothly and confidently to “Ya Qloub”, but there’s more to his slick yacht-rock moves than meets the eye: vocals, strings and guitar weaving around the opposition’s defences in a triple attack, and before they know it they’re two goals down. It’s going to be a long hot summer, Brian, and this squad are ready to go all the way!”URUGUAY (Manager: Lucazm): Luciano Supervielle – “Sublimacion”
“Starting with an instrumental song is probably a risky move, but let’s face it, Uruguay won’t win by playing it safe. Luciano Supervielle is a DJ, producer and pianist from electronic tango project Bajofondo, and this is the opener on his latest solo album, starting very piano-heavy and slowly lettting the electronica sweep in.”
Good luck to all competitors – and voters, you have until next Sunday morning (24th) to make your picks.
Comments
Add your comment
Top of pageRelated Posts
- Pop World Cup 2018 - Tournament Eve Update 14 Jun 2018 This year's POP WORLD CUP is almost here! I appreciate the Pop Football governing bodies have been quiet about the tournament since the initial announcement, but behind the scenes, we've…
- Manage A Team In The Pop World Cup 2018! 1 Dec 2017 Bozhe moi! IT'S BACK! The draw for the Football World Cup was made today, and so, for the fourth time, we're delighted to host the POP WORLD CUP. The point…
- Pop World Cup 2018 Group E Match 1 25 Jun 2018 No, you've not missed any matches. We're putting this year's games up as we get the entries in, and so it's a big thankyou to the prompt Group E gaffers…
- The Pop World Cup 2018: Fixtures and results 17 Jun 2018 About the Pop World Cup Group standings Group A Pos Team Pts Game 1 % Game 2 % 1 Russia - Artist name - Artist name - 2 Saudi Arabia…
- Pop World Cup 2018 Group F Match 1 4 Jul 2018 An intriguing group for this third Pop World Cup match, with two of the sleeping giants of pop football - Sweden and South Korea - lined up against the always…
- Pop World Cup 2018 - Group C Match 1 13 Jul 2018 What if a World Cup lasted ALL YEAR? That's the experiment we appear to be running with this year's PWC, and a grand experiment it is too. Here we are…
- PWC14 Quarter-Final: Iran v South Korea 28 May 2014 Chile, Nigeria and - as of this afternoon - England are through to the Pop World Cup semi-finals. One more team will join them - Wichita Lineman's Iran, who thumped…
- The Pop World Cup 2014 Final: England v Nigeria 8 Jul 2014 At last! The anthems are sung, the teams are on the pitch, and the Macarena Stadium in Los Del Rio is about to play host to the greatest event in…
About the Author
Tom invented Freaky Trigger on a bus journey in the mid-90s. A page about what he's up to can be found hereFeatured Posts
The Greek Alphabet of Piss-poor Pop: Introduction
17 Nov 2003 I notice elsewhere, in my absence, some young scamp over on NYLPM has started a concept piece, some say think piece entitled the Alphabet Of Pop. Now no-one knows more than myself the beauty of lists, as my Week Of Wank and Breakfast Of Banality proves. Its cheap easy journalism and also gives one a […]PROPER LONDON: Saint Etienne – “Foxbase Alpha”
30 Apr 2000 April 2000, Piccadilly The sun comes out over London and the Summer starts: everywhere you look you see people in love, snogging on the tubes and holding hands on the escalators so you can’t get past them. Baggy shorts and halter tops all over the place, kids sitting together on Eros and choking on the […]The Sex Pistols At The Manchester Free Trade Hall: THE TRUTH
14 Apr 2007 Plenty of words have been written about the seminal Sex Pistols’ seminal gig at the seminal Manchester Free Trade Hall in 1976. There has even been a whole book about it! Everyone knows that the gig was really very important indeed and that everyone who attended became a very extremely important person. HOWEVER does everyone know exactly […]The Sound Barrier Podcast: 1: The Lost World / The Lost City Of Z
3 Apr 2017 So for a while myself and Pamela Hutchinson, of Silent London fame have been talking about doing a more regular podcast. And while we love talking about silent films, we also like new films too. And so The Sound Barrier was born over a Campari Spritz or four, we take a new release and we […]ELTON JOHN – “Candle In The Wind ’97” / “Something About The Way You Look Tonight”
27 Mar 2014 #774, 20th September 1997 Every Popular entry starts with the same question: why this record? This time it’s especially loud. “Candle In The Wind ‘97” is the highest-selling single of all time in the UK, almost 2 million clear of its nearest competitor. This is as big as pop gets. But “why?” might strike you […]Pop World Cup 2010: The Final! Nigeria vs Germany
8 Jun 2010 Here we are, at last. Here we stand at the summit of Pop Football achievement, looking back at 63 matches: some wonderful, some perplexing, some illuminating, very few boring. We’ve heard so much pop, enjoyed so many marvellous moments, and we have 30 losing managers to thank for all their research and taste. Never mind […]WHITE TOWN – “Your Woman”
4 Feb 2014 #757, 25th January 1997 In 1997, talking about music on the Internet means USENET, a Gormenghast of diverging and reconnecting fora whose goblin tribes gleefully rampage through each other’s chosen lairs: a thread will start on alt.music.prodigy, then careen into alt.music.spice-girls via alt.music.misc, while Discordians and trolls plot to spread it still further. Still, there […]stick with the beasts we got plz #1
3 Mar 2005 stick with the beasts we got plz #1: the CENTAUR centaurs are classically portrayed as noble and amazing (if occasionally super-horny): but i have always found em ANNOYING!! i. look at them they are top-heavy at the front = when they gallop they will fall on their faces ii. they have TOO MANY LIMBS = […]
- RUSSIA: Oligarkh 46%
Well, as the players have taken the field in Moscow we have quite an opening match in this most beautiful of sports. Four different teams, four very different approaches to the game: surprisingly, however, Russia and Uruguay are fielding similar formations (though playing at very different levels of intensity), while Egypt and Saudi Arabia, despite what you might assume would be a natural cultural and geographic affinity, could hardly be more dissimilar.
The host team has gone for a daring move, an EDM formation with traditional sonic patterning. Playing without a striker save for some chopped-up samples has traditionally been a high-risk option in the Pop World Cup, but they soon find a rhythm. I’m pleased to see that they forgo the easy drop-based tactics common in the EDM leagues for more agile, not to say skittering play.
Egypt is playing the very traditional defensive game at which they excel, low-impact and wiggling just enough to catch their opponents off-guard. The beachy disco formation has life in it yet, but from my eyeline the striker is just a shade too bashful: his footwork is exceptional, but will he ever take a shot?
Uruguay has also gone high-risk here, perhaps the highest-risk formation I’ve ever seen in a Pop World Cup game: not just instrumental, but jazz-lounge instrumental! The squad is composed of gray-haired players from the global-fusion leagues some twenty years back, and you can see at a glance that (when they do manage possession) they haven’t lost their elegant method of handling and passing, but this is the Pop World Cup, not the Muso Commemorative, and they’re just too slow and polite to stand a chance against bruisers like Russia or clippers like Egypt.
Meanwhile, Saudi Arabia have fielded the team of the group: the first half is all sly grins and sparkle, the sort of cheeky play that does one good to watch, low-scoring maybe but beautiful. But then after halftime, they drop all their cheek and play in deadly earnest, showing both amazing vulnerability (that striker is all out their on her own) and intense support — it’s been a long time since unassisted handclaps worked as a defensive line, but by God they pull it off here.
It’s good to have the Pop World Cup back, Brian. Cheers.
FIPA apologise for the heavy handed comments security. If you find yourself in the holding pen, I mean, Fan Zone, please alert the tournament organisers elsewhere if you can!
Not that the Saudi management wish to talk up the chances of our group rivals, but this is a blistering opening match. Russia build from the back with those big chunky synths and bosh the ball forward onto the sampled front line in a very pleasing fashion. Uruguay field 11 Jazz-Funk Greats – their elegant play will win them many fans, I was delighted by the 80s cop show vibe. As for Egypt, I look on their squad with a certain amount of envy – this style of play reminds me of many of the young lads who have shown up eagerly to the Saudi training camp, except it’s good. :(
An unexpectedly strong opening effort from Saudi Arabia, but one has to wonder: will they be able to keep up this level of play?
#4 we are AT LEAST one track away from needing to play the underground black metal band. (Every country has one by Pop Law).
The Russian manager has spent a lot of time on the field with its power hungry first eleven and has been delighted with how everything combines just right for these tracksuited teens (you may not see the last of the trackies mind you). The Russian coach is grumbling quite what the other tracks have to be so chirpy about, and wonders whether the Uruguayan manager pre-emptively decided to send its vocalists to re-education camp. Meanwhile, the Russian Team Chef has been overheard humming the jaunty Saudi track from the catering van and may well be demoted to the remedial Nizhny Novgorod school of “Chopping up those orange slices that foopballers eat – you know the ones – or is it lemons – who cares” for pop offenders.
A muscular and compact Russian team bully the opposition with their physical play but lack a proven goal scorer. Saudi Arabia play entertainingly but can’t get in sight of goal until an inspired substitution brings a change of shape and a matchwinner. Egypt place too much confidence in the silky moves of their talismanic frontman and make it too easy for the opposition to pick their pockets. Uruguay appear to be playing a different game but one that I find hugely appealing. There is elegance and charm to their movement allowing them to slide between their more predictable opponents and take the points.
Well it’s perhaps a surprise to some, but the Saudis are the standout team here. They do lose a bit of energy and momentum in that second half but they have done enough with a pulsating first half showing to take the plaudits here.
After them it’s a much harder call. Uruguay have experience and quality, but not playing anyone up front means they are really struggling to find a telling shot on target. They could probably do with Egypt’s silky frontman, especially as he is getting precious little support from his own teammates. Russia meanwhile seem to be trying to a mix of homegrown and imported styles. I have to say they almost almost nail it, but just fall short of convincing. Maybe in 4 years they will have something really special but for now it’s missing by a whisker.
Group of Death. Those are four terrific performances. Who knew Saudi Arabia could come haring out of the blocks like that? Russia and the Saudis edge it on goal difference for me, but really it’s a shame that any of these teams have to go home early.
Russia, perhaps with one eye on opening ceremony bombast, give it a big EDM festival vibe, it shouldn’t be a risky tactic at this level, in fact it might be playing it too safe, but that sample might just nick a late goal for the hosts.
The Saudis wrongfoot PWC pundits everywhere by doing the one thing no one expected them to do – field a jaunty indie-pop formation. Two thirds of the way through I thought they were likeable enough without doing much to vary their game, but then a sudden substitution and a complete change of tactics changed everything. GOAL!
Egypt are certainly slick, showing some lovely patterns of play, but they seem a little too content to pass it to one another without ever really threatening. It might have worked, but this is a very strong group so far.
I’d like to applaud the Uruguay manager for his bravery but such languor is bound to be punished at this level, and before they know it they’re two goals down. They’ll need more than this if they’re going to avoid being on the first plane home.
Brilliant opening match, pleasantly surprising play all round, though interesting that only one team seem to have remembered to bring a striker.
Russia play with all the exuberance of a Brazilian squad, though it’s only at the close of the match that they manage to step up the pace and snatch a winner. Great play from the Saudis too, though for all their elegant passing they don’t seem to be able to get any decent shots on goal
Egypt are the only team to bring along a proven goalscorer, but while he is doing all the work his teammates are too busy tapping the ball between themselves to get him more than a couple of decent passes in. Not as scrappy play as their non-pop-equivalents, but lots of similarities otherwise. Unlike Uruguay, who decide to leave their strikeforce on the bench entirely (a wise move if it’s their Suarez – don’t think that sort of play would fit in here) instead smoothly juggling the ball around until it somehow finds itself in the opposition net.
Back when I was trying to use futbol metaphors I’d have said that Russia was bringing so many shifts and formations that not only did they wear out their opponents, they wore out the spectators too, though even that botches the metaphor since you don’t lose style points in soccer. I decided I could not do this contest alone, so I brought in Clare and Zaza, Clare to vote with me and Zaza to provide tiebreakers if necessary. I’ll start with Zaza: she seemed uninvolved with the Saudis, while as Egypt controlled the ball, she knocked over the waste bin and began gnawing on raw chicken. We interpret this as her being inspired by Egypt’s tasty chops. She cleaned herself vigorously during Russia, licking paws and legs; did the same for Uruguay. I believe this means she was pondering those two sides without developing a clear favorite.
As it turns out, her tiebreaker was not needed, but we appreciated her input.
I liked Russia straight out the gate – or tunnel – but then they got heavy and cluttered. I admired the clutter but was overwhelmed as well. Clare adored the Russian uniforms and (or but) found the performance to be dancing, numbing, dreaming.
The cheeky Saudis showed Trump without cheeks, were a playful, fun carnival ride, says Clare, and I concur, though for me the gorgeous trip to the rehearsal tent put them definitively over.
Egypt has a beautifully gentle singer who sometimes was too gentle to cut through the accompanying sound wash, but persisted in his gentle way. He reminds Clare of Marvin Gaye; he probably attracts the ladies.
Uruguay, came out tastefully slow but then surprised with a funk bump that’s the stage’s fun moment so far, romped along after that (well, I thought the romp was half okay while Clare liked it a lot more, thought it was very beautiful).
Clare’s order: Saudi Arabia, Uruguay, Egypt, Russia.
Frank: Saudi Arabia, Egypt, Russia, Uruguay.
By my scoring system, our votes go to Saudi Arabia and Egypt. Clare thinks Uruguay got a raw deal.
Well, there are no easy games. A surprisingly competitive group with all teams giving 110%. It’s quite hard to judge chalk and cheese and two other different things. After several listens I think I have to rule out Egypt, who gave a great confident display but ultimately, no-one gambled and they failed to put the ball in the back of the net.
Russia go with an East West fusion with a side of pungi thrown in for a high tempo game which doesn’t ease up. Predictable and rewarding, no schoolboy defending here.
Saudi Arabia go quiet quiet bang, hand clapping their way to a chant, and this is irresistible. I’m not sure if they are modelled on the Bloodhound Gang or Flight of the Conchords. At half time they illegally make 11 substitutions and totally change their pattern of play. In a game of two halves they retain possession, look threatening on the break, but at the end of the day just see out the game.
Uruguay put out an unconventional formation and impress everyone and then they go one better. They suddenly pick up their game and the depth of sound just fills the room with oranges and browns and you’re wrapped in a blanket of warm moss whilst being gently rocked. I wake up in a daze I think I’m listening to a remix of the theme tune from Taxi. All is good.
Shame one of these teams has to go home early doors.
This is a great start to the tournament and I’m looking forward to hearing your Germanys and your Brazils. (I think I’ve used all mine up now)
Well, the results are in and I must say Egypt did not deserve that placement, even in such a competitive group. Here’s hoping they can pull out something stronger in the second round. Uruguay’s high-risk formation surprised this commentator by pulling within a whisker of the host’s bloc-rocking beats, but there seemed destined to be only one clear winner in this match. Have the Saudis peaked too early? Only time, and moar Pop Football, will tell.
Suez in crisis! The team is disappointed, of course – we were spoilt for choice with our starting lineup and opted to show how well our team flowed together, but it just wasn’t good enough to score on the day. However as a proud gaffer I can say this: Egypt are fully fit and ready to progress to the final rounds with a whole range of talent at our disposal. Watch out Saudi Arabia, we’re coming across the Red Sea for you!
Well, that didn’t go as bad as I suspected it might from the comments. I don’t regret the way I played, but I’m definitely gonna change tatics for the next round!
A glorious day for the humble and peace-loving Kingdom of Saudi Arabia! The promise of a rolls-royce each for the squad clearly did the trick. The Desert Knights are keeping a clear head as we look to consolidate our win and the snatches of noise coming from the manager’s office are certainly NOT him desperately attempting to find a second decent track.