Lost Property Office 4: Tilda Swinton, Queen Of Atlantis 28 Mar 2012 And we are back in the Lost Property Office, this week with the fearless Kat Stevens who is the first of our guests to shun the sometimes predictable CD route…
LL COOL J - "Ain't Nobody" 9 Feb 2014 A chart where singles sales are front-loaded to the first week is a chart that rewards fanbases, which is nothing to be worried about. Except the conveyor belt system keeps…
PETER ANDRE - "Flava" 7 Jan 2014 Pudgy naïf that I was, I had never heard the term “six-pack” before I encountered Peter Andre splashing about under a waterfall. His granite abdomen was his main selling point.…
S CLUB 7 - "Don't Stop Movin'" 20 Oct 2015 The unspoken advantage of kit-built pop groups, especially ones made for kids: they’re liberated from attempts to be cool. Often they don’t make full use of this potential. Some decide…
My Pop Year: SYD - "Know" 28 Nov 2017 On first listen I liked Syd’s Fin mainly for its Spartan vibe: low-key, late-night R&B synths. Moody and pleasant. My second listen was like my eyes were adjusting to a…
MR OIZO - "Flat Beat" 7 Oct 2014 Just what we needed, another corporate puppet at Number One. To be fair to Flat Eric, he was in fact an indie puppet – if you hired French house act…
Alan Moore Knows The Score (It's One Star) 18 May 2017 Watchmen by Alan Moore My rating: 1 of 5 stars Modern comics events seem to demand endless lead-ins and spin-offs, and sadly Doomsday Clock, from the blockbuster team of Geoff…
About the Author
Tom invented Freaky Trigger on a bus journey in the mid-90s. A page about what he's up to can be found here
15 Aug 2007
On my eleventh birthday I received a copy of a tape called “Rave ’92” through the post from my sister Grace, who was away at university. It was the second tape she had made for me whilst she was away, (the first being a random mix of grebo, soul, indie and ‘Love Shack’ by the […]
8 Feb 2001
Charlemagne Palestine – Four Manifestations on Six Elements 1. Charlemagne Palestine approaches a piano like a climber approaches a mountain. He does not play the instrument so much as he lets it test him: he starts each performance like an ascent, knowing that somewhere ahead there are the limits of the piano, and also the […]
30 Jan 2000
I. The cod-philosophical question at the centre of pop fandom is this: is pop a genre or a state? Not all records designed to be ‘great pop’ – in the sense of being good for the feet, the heart and the bank balance – make it to the Top Forty, or anywhere near. But not […]
21 May 2008
I give marks out of 10 to every song – based on whatever criteria you like, here’s your opportunity to say what you’d have given more than 6 to from 1976. Tick as many as you like. And use the comments to discuss the year as a whole, if you like.
22 Aug 2006
Despite a brief cameo by Michael Schumacher Car, the filum Cars steers clear of German cars. Oh, there’s a VW campervan, but that is a hippy, with a typical hippy accent (its your grandad’s idea of a hippy at that, straight out of early seventies films). Equally British cars barely get a look-in. So there […]
20 Jun 2005
Last week saw the release of not one, but two films about previous films. And I don’t mean Batman Begins (which should be retitled Batman Starts for Essex). Inside Deep Throat, a documentary about the making of and the effect of notorious porn film Deep Throat. And Baadasssss!, Mario Van Peebles film about the making […]
12 Nov 2014
The Secret History Of Band Aid Everybody remembers Band Aid. And – despite everything – most people remember Band Aid 2. And now we have Band Aid 20 30. Which rather begs the question – why does nobody ever talk about Band Aids 3 to 29? Take a trip down memory lane as we remind […]
4 May 2010
#601, 19th December 1987, video In the comics series Phonogram, there’s a scene in which the – kind of horrible – pop DJ Seth Bingo and his indie collaborator Silent Girl are struggling to work a recalcitrant dancefloor into life. Their solution? “Play the Blondie!” – a copy of “Atomic” which literally glows as it’s […]