PRODIGY - "Breathe" 22 Jan 2014 The Prodigy’s success was built on two things: Liam Howlett’s remarkable feel for how to carve a collection of exciting sounds into a track, and the group’s increasing attraction to…
the opposite of disruption is memory 1 Apr 2014 Michele Kirsch is a friend from NME days; Mama K’s True Stories began as a column devised for City Limits in the mid 80s. It suited her writing style --…
Popular '94 2 May 2013 I'm glad to see the back of this year. As usual, I give songs a mark out of 10, you can too, and here's where it all gets added up.…
Lost Property Office 2-8: Annoying Axl Rose 28 Aug 2013 This week in the Lost Property Office you finally, the interview you have all been waiting for. The Nabob himself of this scene, Tom Ewing, a man who tells a…
THE PRODIGY - "Firestarter" 17 Sep 2013 Twenty years after 1976, punk rock lived on – in the critical imagination, at least. It was part benchmark, part decoder ring: the moment and movement later upheavals had to…
R. KELLY - "I Believe I Can Fly" 23 Feb 2014 Every so often on a project like this you meet records made by somebody who is widely seen as a monster. R Kelly has a lengthy history of accusations and…
“ITES, REEL” 19 Sep 2018 Being a melancholy appreciation on his passing of this nation’s pioneering reggae writer: the great PENNY REEL “Sing great song, down inna Babylon, show them your culture, down inna Babylon”…
3 Sep 2007
Mars Planets: the atomisation of the Mars Bar. An entropic dis-integration, the tendency of all things to become more chaotic, in confectionery form. I’m trying to resist the impulse to tie this stuff up to no-such-thing-as-Society atomisation because that’s not how we do things, right? And Mars Planets are better to share than a proper big […]
27 Mar 2014
#774, 20th September 1997 Every Popular entry starts with the same question: why this record? This time it’s especially loud. “Candle In The Wind ‘97” is the highest-selling single of all time in the UK, almost 2 million clear of its nearest competitor. This is as big as pop gets. But “why?” might strike you […]
12 Nov 2014
The Secret History Of Band Aid Everybody remembers Band Aid. And – despite everything – most people remember Band Aid 2. And now we have Band Aid 20 30. Which rather begs the question – why does nobody ever talk about Band Aids 3 to 29? Take a trip down memory lane as we remind […]
20 Jul 2007
I semi-remember just two lines from the NME’s (Charlie Shaar Murray’s?) review of “Armed Forces” (secret unused title “Emotional Fascism”). One was that one of the other songs resembled ELP “jamming in the bottom of an oil drum”! The other — more germane to this post, as well as being true — is that “with […]
22 Jan 2009
This is a graph – done by anatol_merklich off the Poptimists LiveJournal community, so massive thanks to him – showing the number of new entries in the UK singles chart for each year from 1952 to the present.
4 Sep 2009
#543, 15th December 1984, video “Do They Know It’s Christmas” is significant in one way, and insignificant in another. First, it raised a lot of awareness and money and established the pop single as an excellent mechanism for doing those things. This was significant. Gargantuan “supergroups” like this fell out of favour but charity records […]
5 May 2011
#667, 13th July 1991 Sixteen Listens For Sixteen Weeks: An Everything I Do Liveblog This song got to number one for 16 weeks, so I decided to play it 16 times in a row, writing as I went. Play 1: And we’re off. I’ve honestly hardly heard this in the last twenty years so I […]
24 Dec 1999
Low’s Christmas tree is a simple one, with eight plain wooden baubles. The band write four tracks themselves, offer interpretations of two carols and crooners’ favourite “Blue Christmas”, and nobody’s bothered to take credit for “Taking Down The Tree” (but it sounds like one of Low’s own). The record is packaged – beautifully – like […]