Enormous Legends

8 Feb 2001 Charlemagne Palestine – Four Manifestations on Six Elements  1. Charlemagne Palestine approaches a piano like a climber approaches a mountain. He does not play the instrument so much as he lets it test him: he starts each performance like an ascent, knowing that somewhere ahead there are the limits of the piano, and also the […]

The Greek Alphabet of Piss-poor Pop: Introduction

17 Nov 2003 I notice elsewhere, in my absence, some young scamp over on NYLPM has started a concept piece, some say think piece entitled the Alphabet Of Pop. Now no-one knows more than myself the beauty of lists, as my Week Of Wank and Breakfast Of Banality proves. Its cheap easy journalism and also gives one a […]

MICHAEL JACKSON – “Billie Jean”

18 May 2009 #516, 5th March 1983 Michael Jackson came to the title “King of Pop” in the style of a medieval ruler, carving out his realm piece by piece across a hard year of campaigning. He won some of his new subjects when he performed this song as part of a Motown anniversary special: others when he […]

WHITE TOWN – “Your Woman”

4 Feb 2014 #757, 25th January 1997 In 1997, talking about music on the Internet means USENET, a Gormenghast of diverging and reconnecting fora whose goblin tribes gleefully rampage through each other’s chosen lairs: a thread will start on alt.music.prodigy, then careen into alt.music.spice-girls via alt.music.misc, while Discordians and trolls plot to spread it still further. Still, there […]

Dead Again: MP3s And The Dissolution Of Pop

26 Apr 1999 The mode of the music changes, the city quakes, or at least those blocks of primer-than-thou office space quake that house the HQs of worldwide record companies. The reason, apparently, is MP3 technology, which you all know about and most of you use, and which has been the subject of acres of ruminative, pessimistic music […]

The Magic Mill

23 Apr 2000 My first encounter with the exotic was on the Magic Mill at Thorpe Park, a South-East England theme park which from appearances had originally been based around a cramped zoo or city-farm set-up. At some point in the late 70s it had seemingly panicked, though, and parked itself up in order to survive. With its […]

The Ultimate Future Shock!!!!!!

31 Oct 2004 ← Wait, what?MORE!! →

SIX LEGS GOOD EIGHT LEGS BAD: Why giant spider movies aren’t scary

1 Sep 2002 Spiders: creepy, crawly little critters which seem up to no good – hanging in the corner of your room, leaving webs around just to make a mess – definitely with their own agenda. Not the most obvious creature to base a film on. Yet Hollywood returns to the theme of spiders every ten years or […]