The Magic Mill

23 Apr 2000 My first encounter with the exotic was on the Magic Mill at Thorpe Park, a South-East England theme park which from appearances had originally been based around a cramped zoo or city-farm set-up. At some point in the late 70s it had seemingly panicked, though, and parked itself up in order to survive. With its […]

I Want To Know What Love Is – Eighties Revisionism

2 Jan 2001 On Skykicking last week, Tim touched, popwise, on the continuing cultural battle over what the eighties were or are or mean or meant. The story of mainstream rock and politics in the 1990s was among other things the story of a similar battle, that time over the sixties. On the one hand you had the […]

Which Decade Is Tops For Pops? The Results, Decade By Decade.

17 Jun 2010 Finally, the moment of ABSOLUTE POP TRUTH is upon us! And my goodness, what a nail-biter of a contest this has been. Halfway through the voting, two decades broke decisively ahead of the pack, establishing a lead that proved impossible to catch up with. Although one of them looked to have the edge, its rival […]

Download This! 2002

1 Jan 2003 101. THE CHEMICAL BROTHERS – ‘My Elastic Eye’: ‘It sounds exactly like an elastic eye!’ said Fred S. I scoffed, but you know what? – it does! Though maybe more a clockwork one – but the wobbly fuzz-bass still sounds like it’s looking, even probing the track for something. Every music-box noise here is luxurious […]

SINEAD O’CONNOR – “Nothing Compares 2 U”

29 Oct 2010 #641, 3rd February 1990 Sinead O’Connor is one of the finest song interpreters not just because she thinks hard about the material and the feelings locked in it, but because she’s so good at placing songs into a situation. A great example of this is her version of “Chiquitita”, warm and homely where ABBA’s is […]

Andrew WK: I Get Wet: Pitchfork Review

9 Jul 2002 Andrew WK: I Get Wet: Pitchfork Review: Remarkable write-up of the Andrew WK album from Ryan Schrieber, Pitchforkmedia’s editor-in-chief. Remarkable because it gets Andrew WK’s music so descriptively right – “Nothing could penetrate a sound that dense. I was overcome. I tried to remember the last time anyone dared to push rock so poppily over […]

Enormous Legends

8 Feb 2001 Charlemagne Palestine – Four Manifestations on Six Elements  1. Charlemagne Palestine approaches a piano like a climber approaches a mountain. He does not play the instrument so much as he lets it test him: he starts each performance like an ascent, knowing that somewhere ahead there are the limits of the piano, and also the […]

Couldn’t Life Ever Be Sane Again?

27 Sep 2001 What is “Panic” about? Dismissed and attacked since its release as small-minded, or snobbish, or even borderline racist, The Smiths’ anti-disco broadside continues to intrigue. On this thread, The Pinefox calls it a “yoking of two ideas” – a revolutionary fantasia and an attack on dance music – and claims that it’s the second of […]