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	<title>Comments on: THE FT TOP 100 TRACKS OF ALL TIME No. 33: Echo and the Bunnymen &#8211; The Cutter</title>
	<atom:link href="http://freakytrigger.co.uk/ft/2009/03/the-ft-top-100-tracks-of-all-time-no-33-echo-and-the-bunnymen-the-cutter/feed/" rel="self" type="application/rss+xml" />
	<link>http://freakytrigger.co.uk/ft/2009/03/the-ft-top-100-tracks-of-all-time-no-33-echo-and-the-bunnymen-the-cutter/</link>
	<description>Lollards in the high church of low culture</description>
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		<title>By: a tanned rested and unlogged lørd sükråt wötsît</title>
		<link>http://freakytrigger.co.uk/ft/2009/03/the-ft-top-100-tracks-of-all-time-no-33-echo-and-the-bunnymen-the-cutter/#comment-598006</link>
		<dc:creator>a tanned rested and unlogged lørd sükråt wötsît</dc:creator>
		<pubDate>Tue, 10 Mar 2009 23:49:38 +0000</pubDate>
		<guid isPermaLink="false">http://freakytrigger.co.uk/?p=13449#comment-598006</guid>
		<description>monsoon is 1981/2, so that&#039;s earlier than this -- sheila chandra&#039;s first solo LPs are 1984: i gave her second LP an excellent review in nme, so i guess the answer to the second question&#039;s yes! their label was called IndiPop</description>
		<content:encoded><![CDATA[<p>monsoon is 1981/2, so that&#8217;s earlier than this &#8212; sheila chandra&#8217;s first solo LPs are 1984: i gave her second LP an excellent review in nme, so i guess the answer to the second question&#8217;s yes! their label was called IndiPop</p>
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		<title>By: Billy Smart</title>
		<link>http://freakytrigger.co.uk/ft/2009/03/the-ft-top-100-tracks-of-all-time-no-33-echo-and-the-bunnymen-the-cutter/#comment-597986</link>
		<dc:creator>Billy Smart</dc:creator>
		<pubDate>Tue, 10 Mar 2009 22:55:19 +0000</pubDate>
		<guid isPermaLink="false">http://freakytrigger.co.uk/?p=13449#comment-597986</guid>
		<description>Re: Indian instrumentation: Which came first - this, or Monsoon&#039;s &#039;Ever So Lonely&#039;? They had some critical credibility at the time, didn&#039;t they (tho&#039; probably not in rockist circles)</description>
		<content:encoded><![CDATA[<p>Re: Indian instrumentation: Which came first &#8211; this, or Monsoon&#8217;s &#8216;Ever So Lonely&#8217;? They had some critical credibility at the time, didn&#8217;t they (tho&#8217; probably not in rockist circles)</p>
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		<title>By: a tanned rested and unlogged lørd sükråt wötsît</title>
		<link>http://freakytrigger.co.uk/ft/2009/03/the-ft-top-100-tracks-of-all-time-no-33-echo-and-the-bunnymen-the-cutter/#comment-597954</link>
		<dc:creator>a tanned rested and unlogged lørd sükråt wötsît</dc:creator>
		<pubDate>Tue, 10 Mar 2009 21:29:21 +0000</pubDate>
		<guid isPermaLink="false">http://freakytrigger.co.uk/?p=13449#comment-597954</guid>
		<description>well, i would certainly argue -- to take three hard-to-follow fellows from successive decades -- that jon anderson&#039;s, ian mcculloch&#039;s and kurt cobain&#039;s obscurity are each shaped by different contexts and driven by different motives, even if they&#039;re all somewhat tolerated under the same apparent post-dylan umbrella; what they share is (to me) less interesting than where they differ, which is their relationship to rock as a utopian project as it manifests in those different decades</description>
		<content:encoded><![CDATA[<p>well, i would certainly argue &#8212; to take three hard-to-follow fellows from successive decades &#8212; that jon anderson&#8217;s, ian mcculloch&#8217;s and kurt cobain&#8217;s obscurity are each shaped by different contexts and driven by different motives, even if they&#8217;re all somewhat tolerated under the same apparent post-dylan umbrella; what they share is (to me) less interesting than where they differ, which is their relationship to rock as a utopian project as it manifests in those different decades</p>
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		<title>By: Jack Fear</title>
		<link>http://freakytrigger.co.uk/ft/2009/03/the-ft-top-100-tracks-of-all-time-no-33-echo-and-the-bunnymen-the-cutter/#comment-597948</link>
		<dc:creator>Jack Fear</dc:creator>
		<pubDate>Tue, 10 Mar 2009 21:10:05 +0000</pubDate>
		<guid isPermaLink="false">http://freakytrigger.co.uk/?p=13449#comment-597948</guid>
		<description>&lt;i&gt;a broader (and quite time-specific) context of what’s good and what’s bad about easily read meaning&lt;/i&gt;

I think I get what you&#039;re on about here, but how time-specific is it really? I would venture that a certain degree of obscurity has been held up as a virtue in post-Dylan rock generally...</description>
		<content:encoded><![CDATA[<p><i>a broader (and quite time-specific) context of what’s good and what’s bad about easily read meaning</i></p>
<p>I think I get what you&#8217;re on about here, but how time-specific is it really? I would venture that a certain degree of obscurity has been held up as a virtue in post-Dylan rock generally&#8230;</p>
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		<title>By: ace inhibitor</title>
		<link>http://freakytrigger.co.uk/ft/2009/03/the-ft-top-100-tracks-of-all-time-no-33-echo-and-the-bunnymen-the-cutter/#comment-597388</link>
		<dc:creator>ace inhibitor</dc:creator>
		<pubDate>Mon, 09 Mar 2009 15:00:49 +0000</pubDate>
		<guid isPermaLink="false">http://freakytrigger.co.uk/?p=13449#comment-597388</guid>
		<description>It has that great,great chord change - I&#039;m not muso enough to be certain of this but it sounds to me like the 1st two verses sit on extended variations of the same minor 7th chord, before bursting into major 3-chord brassy sunshine on the is-this-a-chorus-or-a-bridge bit, all the more glorious for being deferred for so long, like Dancing in the Street.</description>
		<content:encoded><![CDATA[<p>It has that great,great chord change &#8211; I&#8217;m not muso enough to be certain of this but it sounds to me like the 1st two verses sit on extended variations of the same minor 7th chord, before bursting into major 3-chord brassy sunshine on the is-this-a-chorus-or-a-bridge bit, all the more glorious for being deferred for so long, like Dancing in the Street.</p>
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		<title>By: a tanned rested and unlogged lørd sükråt wötsît</title>
		<link>http://freakytrigger.co.uk/ft/2009/03/the-ft-top-100-tracks-of-all-time-no-33-echo-and-the-bunnymen-the-cutter/#comment-597349</link>
		<dc:creator>a tanned rested and unlogged lørd sükråt wötsît</dc:creator>
		<pubDate>Mon, 09 Mar 2009 13:12:39 +0000</pubDate>
		<guid isPermaLink="false">http://freakytrigger.co.uk/?p=13449#comment-597349</guid>
		<description>haha that was me: spare us the cut-and-paster :/</description>
		<content:encoded><![CDATA[<p>haha that was me: spare us the cut-and-paster :/</p>
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		<title>By: DOESN'T</title>
		<link>http://freakytrigger.co.uk/ft/2009/03/the-ft-top-100-tracks-of-all-time-no-33-echo-and-the-bunnymen-the-cutter/#comment-597348</link>
		<dc:creator>DOESN'T</dc:creator>
		<pubDate>Mon, 09 Mar 2009 13:10:20 +0000</pubDate>
		<guid isPermaLink="false">http://freakytrigger.co.uk/?p=13449#comment-597348</guid>
		<description>the only one i am fairly sure it DOESN&#039;T mean is the pig one! (which i only discovered while looking up meanings of &quot;cutter&quot;) 

jack&#039;s &quot;invites even as it eludes&quot; is pretty much right, but i think this deliberate little dance fits within a broader (and quite time-specific) context of what&#039;s good and what&#039;s bad about easily read meaning</description>
		<content:encoded><![CDATA[<p>the only one i am fairly sure it DOESN&#8217;T mean is the pig one! (which i only discovered while looking up meanings of &#8220;cutter&#8221;) </p>
<p>jack&#8217;s &#8220;invites even as it eludes&#8221; is pretty much right, but i think this deliberate little dance fits within a broader (and quite time-specific) context of what&#8217;s good and what&#8217;s bad about easily read meaning</p>
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		<title>By: Alan</title>
		<link>http://freakytrigger.co.uk/ft/2009/03/the-ft-top-100-tracks-of-all-time-no-33-echo-and-the-bunnymen-the-cutter/#comment-597345</link>
		<dc:creator>Alan</dc:creator>
		<pubDate>Mon, 09 Mar 2009 13:00:51 +0000</pubDate>
		<guid isPermaLink="false">http://freakytrigger.co.uk/?p=13449#comment-597345</guid>
		<description>i always thought it was about making shaped biscuits</description>
		<content:encoded><![CDATA[<p>i always thought it was about making shaped biscuits</p>
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		<title>By: Jack Fear</title>
		<link>http://freakytrigger.co.uk/ft/2009/03/the-ft-top-100-tracks-of-all-time-no-33-echo-and-the-bunnymen-the-cutter/#comment-597344</link>
		<dc:creator>Jack Fear</dc:creator>
		<pubDate>Mon, 09 Mar 2009 12:56:40 +0000</pubDate>
		<guid isPermaLink="false">http://freakytrigger.co.uk/?p=13449#comment-597344</guid>
		<description>Point taken about the self-harm angle — it&#039;s likely a dead end, interpretationwise. But it is so terribly tempting, I think, because the language of the lyric — filled with images of frustration, failed self-discipline, and feelings of shame and worthlessness - maps onto the psychology of the self-injury phenomenon at interesting angles. As appalling as it is to imagine a Bunnymen song as actually being &quot;about&quot; anything (as if McCullough were Nicky Wire or somesuch), &quot;The Cutter&quot; invites interpretation even as it eludes it. And there&#039;s always morbid fun in this sort of diagnosis-after-the-fact; witness the frenzy of close re-readings in the pop press whenever a musician commits suicide, looking for &quot;clues&quot; in the lyrics that might have &quot;warned&quot; us of that fragile &quot;state of mind.&quot;

Scare-quotes a go-go, today.</description>
		<content:encoded><![CDATA[<p>Point taken about the self-harm angle — it&#8217;s likely a dead end, interpretationwise. But it is so terribly tempting, I think, because the language of the lyric — filled with images of frustration, failed self-discipline, and feelings of shame and worthlessness &#8211; maps onto the psychology of the self-injury phenomenon at interesting angles. As appalling as it is to imagine a Bunnymen song as actually being &#8220;about&#8221; anything (as if McCullough were Nicky Wire or somesuch), &#8220;The Cutter&#8221; invites interpretation even as it eludes it. And there&#8217;s always morbid fun in this sort of diagnosis-after-the-fact; witness the frenzy of close re-readings in the pop press whenever a musician commits suicide, looking for &#8220;clues&#8221; in the lyrics that might have &#8220;warned&#8221; us of that fragile &#8220;state of mind.&#8221;</p>
<p>Scare-quotes a go-go, today.</p>
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		<title>By: byebyepride</title>
		<link>http://freakytrigger.co.uk/ft/2009/03/the-ft-top-100-tracks-of-all-time-no-33-echo-and-the-bunnymen-the-cutter/#comment-597289</link>
		<dc:creator>byebyepride</dc:creator>
		<pubDate>Mon, 09 Mar 2009 08:00:19 +0000</pubDate>
		<guid isPermaLink="false">http://freakytrigger.co.uk/?p=13449#comment-597289</guid>
		<description>I&#039;m pretty sure I&#039;ve always assumed that the title was a nautical reference, but reading this I also realise that for about fifteen years I&#039;ve had the song confused in my head with &#039;The Cutter and the Clan&#039; which is a Runrig album title.</description>
		<content:encoded><![CDATA[<p>I&#8217;m pretty sure I&#8217;ve always assumed that the title was a nautical reference, but reading this I also realise that for about fifteen years I&#8217;ve had the song confused in my head with &#8216;The Cutter and the Clan&#8217; which is a Runrig album title.</p>
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