Dec 08

ROXY MUSIC – “Jealous Guy”

FT + Popular58 comments • 7,827 views

#476, 14th March 1981

A band who helped define the 70s cover a song from the 70s by a man who barely outlived the 70s – and yet the cool precision of “Jealous Guy” makes it a recording utterly of the 1980s. The record’s attention to clinical detail seems to will compact discs into being: every instrument is perfectly, unhurriedly placed. Synthesiser washes like marble tiles; thick brushstrokes of guitar; the thread of whistling that plays the song out – “Jealous Guy” is immaculate.

But somehow incomplete. There’s a hollow, a loss at the record’s heart – not of John Lennon mind you; there’s been enough mourning, and Bryan Ferry respects the song too much to twist it into an overt tribute. But while Lennon’s hesitant original is recognisably being sung to someone, you don’t get that feeling with Roxy. Lennon’s is a plea for forgiveness; Roxy’s is a post-mortem. Its well-tailored arrangement is futile in its perfection, mocking almost: Ferry is wandering around an empty penthouse, pleading with a lover who won’t be coming back. And so that whistling again, going on so long it’s almost absurd, through romantic to pathetic and ending up the loneliest sound in the world.



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  1. 31
    Gavin Wright on 17 Dec 2008 #

    Have to say I prefer the Lennon version of this – the Roxy version is far from terrible but it sounds slightly strained somehow, as if the band as a whole haven’t quite decided whether or not to play the cover straight or not. I’ve never heard Manifesto or Flesh and (sorry, ‘+’) Blood but I’ve got a lot of time for Avalon which – along with Steely Dan’s Aja – is one of my favourite albums for airless, ultra-sleek production. (5) for this anyhow.

  2. 32
    lonepilgrim on 17 Dec 2008 #

    I can’t honestly say that I consider late Roxy material to be ‘adult’ pop although I accept that a self-consciously 80s adult audience adopted them as (probably) one of the earliest dinner-party soundtracks – to be followed by Moby and Dido in later years – ‘Avalon’ gets a mention in Jay McInerney’s novel ‘Brightness Falls’ in that kind of context.

    I enjoy the music as ambient background but lyrically the songs seem drained of significance beyond a few langorous phrases – nothing like the fun of Roxy Mk1

  3. 33
    The Lurker on 17 Dec 2008 #

    I’d never interpreted the song as “whistling in the dark” before reading Tom’s entry, but it does fit the performance very well. I’d always heard the song as the rather insincere confession of a lounge lizard, perhaps because of Bryan’s persona. Despite/because of this I prefer it to the original, which is perhaps too straightforward, too sincere.

    I haven’t heard the other late Roxy covers mentioned – I’m more familiar with early Roxy. I do think Ferry’s early covers of standards like “Smoke Gets in Your Eyes” are truly painful to listen to. “Hard Rain” is an odd one – I like listening to it despite it having a extraordinarily baffling mismatch of lyrics and music.

  4. 34
    Matthew K on 18 Dec 2008 #

    Re the original – it’s a bit diffident in its delivery, and shares the lameness of parts of the Imagine album (excluding How Do You Sleep et al) but – it’s musically gorgeous, some weird piano and strings confection which sounds like nothing else. Might be Spector’s greatest Beatle-connected moment.

  5. 35
    AndyPandy on 18 Dec 2008 #

    Some attitudes towards John Lennon on here seem a bit nonsensical one day posters are criticising him for making the ‘grand gesture’ with ‘Imagine’ and a few days later moaning about the fact that his version of this is whining and self-pitying when surely it’d show sensitivity to think such a soul-bearing admission of weakness to be a major point in favour of Lennon’s original.

    PS I also enjoy Roxy Music and like this version too – not hearing the Lennon one till years later.

  6. 36
    Tom on 18 Dec 2008 #

    I prefer the Lennon version, FWIW – one of his best songs.

    Even better tho is when the piano line from this drops into the middle of Noise Factory’s “Skinteeth” – one of my favourite rave appropriations.

  7. 37
    AndyPandy on 18 Dec 2008 #

    Yes couldn’t agree more….a perfect choice and use of a sample…what a pity there was never a chance in a million that it was going to ever get cleared…

  8. 38
    Martin Skidmore on 18 Dec 2008 #

    I’m not terribly keen on the Roxy or Lennon versions, but I do really like the Faces’ version on their great live album Coast To Coast.

  9. 39
    mike on 18 Dec 2008 #

    Suave-n-Sophist Roxy Mark II didn’t connect with me at all until Avalon came along the following year, at which point it all somehow fell into place… but my revisionism never stretched as far as “Jealous Guy”.

    I saw Ferry perform this a few years ago, as part of a maddeningly offhand, lacklustre, just-another-day-at-the-office solo show. It was as if the life-draining embalming fluid contained in this recording had seeped out and infected all of his other material. My least favourite Roxy track.

  10. 40
    Billy Smart on 18 Dec 2008 #

    Best Ferry cover version ever: These Foolish Things

    Worst Ferry cover version ever: 1993’s The Girl Of My Best Friend, especially the watch-through-your-fingers embarrasing video, in which moody Bryan is cuckolded by a pair of lipstick lesbians.

  11. 41
    rosie on 18 Dec 2008 #

    Billy @ 40: These Foolish Things is about as indestructible as a song can get, I reckon. Just about everybody who has ever taken it on has made a good fist of it. It featured on a tape associated with the music section of my Popular Culture OU course. First professor of Music Richard Middleton – not a gifted singer I’d say – plays and sings it exactly as published in the sheet music, and then Billie Holiday makes it soar. Magnificent.

  12. 42
    Erithian on 19 Dec 2008 #

    I think I’d go along verbatim with Mike’s first para at #39. A tribute, heartfelt and reverential no doubt (not an obvious cash-in like the Danny Mirror Elvis tribute – Lennon comes out of this comparison rather better) but not a record that ever really engaged me much. Again, an act where I can think of loads of other tracks that would have better represented them in Popular.

    So the past six number ones read – Lennon, novelty, Lennon; Lennon, novelty, Lennon. The time had come for someone to, if you will, shake things up a little.

  13. 43
    mike on 19 Dec 2008 #

    My favourite version of “These Foolish Things”: Ella Fitzgerald, who else? It was also used to tear-jerking effect in a 1990 French film of the same name (original title Daddy Nostalgie), starring Dirk Bogarde and Jane Birkin as father and daughter.

  14. 44
    Malice Cooper on 22 Dec 2008 #

    Rather like Stevie Wonder, one of their worst singles got them the position they had deserved for so long. The public’s obsession at buying up John Lennon records just went on for too long. I preferred Julio Iglesias’s version “I’m just a yellow sky”

  15. 45
    Billy Smart on 5 Jan 2009 #

    John Peel Watch: From a live review (‘John Peel Catches The Ferry To Oblivion’, The Observer, 22 January 1989);

    “A low point was reached with an oafish reading of ‘Jealous Guy’, a song which in John Lennon’s original is built on a tangle of anger and regret and here had neither.”

  16. 46
    David G on 12 Sep 2009 #

    I heard Roxy Music perform this in Sydney, before it was released, just weeks after Lennon’s murder. It was entirely unexpected, coming at the end of the Flesh + Blood set. It may have been an encore.

    It sticks in my mind as among the most moving moments in any concert I’ve attended. There was no question it was done purely as a tribute – a musicians’ response to a senseless act.

    And, rather than “cashing in” as some suggest, the band’s royalties (at least on the initial release) went to one of Lennon’s favourite charities. And, of course, the songwriter’s royalties went to Lennon’s estate.

  17. 47
    wichita lineman on 29 Mar 2011 #

    It’s a shame this wasn’t the single that kept Vienna at no.2, as that would be payback for Ultravox’s walloping great steal of Both Ends Burning on Hiroshima Mon Amour. I can’t believe this has only just been pointed out to me – it’s basically a cover version (right down to the squeaky sax) with new lyrics.

  18. 48
    hardtogethits on 29 Mar 2011 #

    #47 How fantastic you comment on this when we were just speculating elsewhere about songs being replaced at radio with newer versions. Here’s one! The original 7″ was over 6 minutes long; the only version we hear on the radio now (from Greatest Hits cds etc) is under 5:00.

  19. 49
    wichita lineman on 29 Mar 2011 #

    Well, so we were! From memory, the whistling got faded pretty rapidly by dj’s at the time. And the contemporary copy I bought was the truncated version on K-Tel’s Chartbusters ’81. Short on the whistle is how I recall it.

  20. 50
    Conrad on 29 Mar 2011 #

    Witchita – I have a recording of Tony Blackburn playing the full 6 minutes plus on the Top 40 countdown, and magnificent it sounds too

  21. 51
    Alfred on 16 Apr 2011 #

    I don’t think anyone’s pointed out (a) how lovely Manzanera’s part is in its controlled melancholy (b) how terrific Ferry’s outro synth part is too. He’s so rarely given credit as a keyboardist.

  22. 52
    seekenee on 24 Sep 2011 #

    Bryan Ferry played this at Live Aid, with Dave Gilmour on guitar, there were a handful of Lennon covers that day methinks.

  23. 53
    Cumbrian on 29 May 2013 #

    I’ve become a little obsessed with late period Roxy and Bryan Ferry’s output from 76 to 80-82 recently. I don’t know why, just one of those weird things, though I guess it started when I took a punt on The Bride Stripped Bare at an HMV closing down sale a couple of months ago and got hooked.

    Anyway, all this by way of saying that this thread is pretty good – with lots of alternate explanations about Ferry singing from different perspectives and what not. I think my take is that Tom is exactly right – and that post Jerry Hall leaving him for Mick Jagger, this cover was pretty much inevitable, even if Lennon hadn’t died – just as an expression of his own melancholy. The One Week One Band on Ferry and his covers is really interesting too and I am convinced that some of those covers are expressions/coded messages about himself (is it a coincidence that after Eno leaves Roxy and Ferry starts to put away the feathers and the catsuits in favour of suit and tie, he puts together covers of Don’t Ever Change and Baby I Don’t Care, yearning after someone who is more straight ahead/plain?), hence I reckon that Ferry would have wound up tackling this anyway at some point.

    I do have a mild disappointment about this version of the song though. It would have been an interesting take if he’d sung this from the perspective of Jagger prior to Hall leaving Ferry for him and instead of melancholy, he’d taken it on as a predator.

  24. 54
    Cumbrian on 7 Aug 2013 #

    Marcello is on a roll. For those who have not being paying attention to TPL over the last couple of weeks, he’s put up 4 reviews and all are worth a read (in particular, in my view, the Barry Manilow one, which got me thinking differently about an artist I had otherwise thought little about and, stupidly, dismissed as a result of my own ignorance).

    He’s up to Avalon – hence my posting here in the Roxy Music thread.

    The link to TPL is over on the right hand side if you’re reading in the Popular section of FT.

  25. 55
    hectorthebat on 6 Oct 2014 #

    Critic watch:

    1,001 Songs You Must Hear Before You Die, and 10,001 You Must Download (2010) 1002
    Q (UK) – The 1010 Songs You Must Own (2004)
    Giannis Petridis (Greece) – 2004 of the Best Songs of the Century (2003)

  26. 56
    Stuart Copeland on 2 Jul 2016 #

    “#18 – Ferry does indeed look very pained in the video, and somewhat uncomfortable and twitchy.”

    And not unlike David Brent, I’ve just noticed

  27. 57
    Wordy Rappinghood on 9 Apr 2021 #

    I think Bryan sings this better than John. 8/10 I think.

  28. 58
    Gareth Parker on 31 May 2021 #

    Great version of a good song imho. 8/10.

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