I didn’t know about genre in 1978 but that didn’t mean I couldn’t recognise it, and this fitted into a very particular and not wholly liked one: music you might sing in school assembly. I didn’t need to have read a single Psalm to know that somehow this fitted next to “When I Needed A Neighbour” and “Kum-By-Ya” and “The Ink Is Black” – i.e. “earnest singalong” not “fun singalong” like the soon-to-be-A-side “Brown Girl In The Ring” (which I did like).
And for all that I find this pretty enjoyable I’d still make that distinction, putting “Rivers” into the less fun side of Boney M, certainly compared to almost anything else on Nightflight To Venus – the space disco title track, the gonzo history of “Rasputin”, their finger-poppin’ covers of Roger Miller and Neil Young. “Rivers Of Babylon” slides down easily but lacks the immense entertainment value of the group at their best. From the intro in, though, there’s a sense of comfort and dignity to it carried over from its religious and reggae roots – it’s proof, at least, of Frank Farian’s apparent conviction that everything could be usefully discofied. Why be like Tony Manero and turn dancing into your religion, when actual religion could be as danceable as anything else?
(And this, incidentally, is why I was wrong about “Rivers” at the time and never did sing it that I can recall – its trace lyrical religiosity would have scared off my primary school pop pickers. Animals going in two by two – yeah, no problem, but all this Babylon and Zion stuff was best left well alone.)