Much like “No Charge”, this wears an idea too thin: but at least it’s a good idea. Spotting the potential for Wurzelisation in the ramshackle whimsy of Melanie’s “Brand New Key” was a stroke of pop genius that deserved the reward of a No.1. “Combine Harvester” kicks off with surely the best (or maybe worst) innuendo to grace a chart-topping record and rides a wave of sheer goodwill until at least its third verse.
The Wurzels had only turned to this kind of pop adaptation because original Wurzel Adge Cutler had died – his original comic folk songs had made the band a West Country hit and with no songwriters to replace him, “Combine Harvester” was the beginning of a new and narrower remit for the band. Given a national stage, the bumbling yokel humour the group trade in as much reinforced stereotypes as mocked or indulged them, but that shouldn’t detract from the fact that “Combine Harvester” is one of the more thoroughly enjoyable comedy records we’ll be meeting.